4734 records — Page 332 of 470
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Creators:
Elisofon, Eliot
Dates:
1951
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Historically the Wagenia of Kisangani represent an amalgamation of three kin groups, the Bina Nsoko, the Bina Nkulu and, the Bina Lombe. The Wagenia have been characterized by a segmented structure from the beginning. they lack a central authority. Tshesé is mostly used to refer to the entire tribe, while Tshebanda refer to kin group comprising on...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Once each year, in the festival called 'the Beautiful Feast of Opet', the great god Amun-Re (Amon) of Karnak visited the sanctuary of Luxor. Representations and texts carved on the walls of the colonnade and elsewhere at Luxor Temple detail the processions to and from the Luxor sanctuary and allow the festivities to be reconstructed to a large deg...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The temple complex -for it originally consisted of two temples and a palace as well as many administrative buildings- was first called 'The Ramesseum' by Champollion. It was constructed for Ramesses by two architect-foremen, Penre of Coptos and Amenemone of Abydos, and built with a number of original features. Unfortunately, like so many of the mo...

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Creators:
Elisofon, Eliot
Dates:
1951
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Historically the Wagenia of Kisangani represent an amalgamation of three kin groups, the Bina Nsoko, the Bina Nkulu and, the Bina Lombe. The Wagenia have been characterized by a segmented structure from the beginning. they lack a central authority. Tshesé is mostly used to refer to the entire tribe, while Tshebanda refer to kin group comprising on...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The present entrance is through the pylon of Ramesses II, once fronted with six colossi of the king (two seated and four standing) and two obelisks. One of the obelisks and two of the statues were transported to Paris in the last century, but those that remain provide impressive examples of these monuments. These colossi functioned on several leve...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The mastaba of Ptahhotep, northwest of the Step Pyramid, is a funerary complex built for two Ptahhoteps and an Akhihotep. Ptahhotep ('Ptah is happy') was one of the greatest noblemen of late Fifth Dynasty. A kaleidoscope of genre scenes is represented in seven registers on the east wall of the cult chamber. Watching them is Ptahhotep with his elde...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In a departure from tradition, most kings of the 18th Dynasty were buried not in pyramid complexes but in tombs tunneled deep into the limestone cliffs flanking a wadi in Thebes known as the Valley of the Kings (Bībān al-Mulūk). Their mortuary temples were separate from the tombs and located on the plain. Royal tombs consisted of a series of passa...

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Creators:
Elisofon, Eliot
Dates:
1962
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The route through a pyramid complex leads finally to the great stone false door at the back of the offering chapel. On the 'other side', behind solid masonry, deep under the pyramid, lay the most intimate rooms of this house of eternity: the burial chamber and antechamber. Beginning with the pyramid of Unas at the end of the 5th dynasty, the walls...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

4734 records — Page 332 of 470