4734 records — Page 333 of 470
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Creators:
Elisofon, Eliot
Dates:
1962
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The route through a pyramid complex leads finally to the great stone false door at the back of the offering chapel. On the 'other side', behind solid masonry, deep under the pyramid, lay the most intimate rooms of this house of eternity: the burial chamber and antechamber. Beginning with the pyramid of Unas at the end of the 5th dynasty, the walls...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The present entrance is through the pylon of Ramesses II, once fronted with six colossi of the king (two seated and four standing) and two obelisks. One of the obelisks and two of the statues were transported to Paris in the last century, but those that remain provide impressive examples of these monuments. These colossi functioned on several leve...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

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Creators:
Anacostia Museum
Dates:
1990
Level:
item
Size:
3 Video recordings (VHS)
Collection ID:
ACMA.03-026
Repository:
Anacostia Community Museum Archives

During the workshop, students created three-dimensional models of original inventions or innovations after a guided tour of the museum's exhibition on African American inventors titled 'The Real McCoy: Afro-American Invention and Innovation 1619-1930.' Workshop was recommended for third and fourth grade students. The workshop was held at the Anacos...

Workshop. Related to exhibition 'The Real McCoy: Afro-American Invention and Innovation 1619-1930.' AV002113 and AV002116: dated 19900205. AV002058: undated.

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Creators:
Elisofon, Eliot
Dates:
1961
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The present entrance is through the pylon of Ramesses II, once fronted with six colossi of the king (two seated and four standing) and two obelisks. The outer walls of the pylons were decorated in the time of Ramesses with a depiction of the Battle of Kadesh (1285 BC), and the inner walls of the gateway were added by the Nubian king Shabaka in the...

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Creators:
Elisofon, Eliot
Dates:
1959
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Historically the Wagenia of Kisangani represent an amalgamation of three kin groups, the Bina Nsoko, the Bina Nkulu and, the Bina Lombe. The Wagenia have been characterized by a segmented structure from the beginning. they lack a central authority. Tshesé is mostly used to refer to the entire tribe, while Tshebanda refer to kin group comprising on...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The temple complex -for it originally consisted of two temples and a palace as well as many administrative buildings- was first called 'The Ramesseum' by Champollion. It was constructed for Ramesses by two architect-foremen, Penre of Coptos and Amenemone of Abydos, and built with a number of original features. Unfortunately, like so many of the mo...

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Creators:
Elisofon, Eliot
Dates:
1961
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The royal pavilion or so-called Temple T is a special building that could be interpreted as a small palace or even a 'sacristy' in which the king would have the chance to change his insignia (especially the white and the red crowns) during the sed-festival. Otherwise, one could see in it the so-called 'Statuen-palast' which resembles the archaic s...

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Creators:
Elisofon, Eliot
Dates:
1961
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

4734 records — Page 333 of 470