4734 records — Page 347 of 470
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Creators:
Anacostia Museum
Dates:
1989
Level:
item
Size:
5 Video recordings (VHS)
Collection ID:
ACMA.03-026
Repository:
Anacostia Community Museum Archives

Held from June 26 - 29, 1989 at the Anacostia Museum, the teacher seminar consisted of lectures and workshops about black inventors and innovators, and their struggle for recognition. The lectures and workshops were led by experts in history and the patent process, and inventors. Sessions on critical thinking and teaching strategies were also part ...

Seminar. Related to exhibition 'The Real McCoy: Afro-American Invention and Innovation 1619-1930.' AV002059: dated 19890626. AV002131 and AV002058: undated. AV002151and AV002060: dated 19890629.

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Ottenberg, Simon
Dates:
1978-1980
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, from February, 16, 1988 through March 04, 1988.

Original title reads, "Freetown, after visiting Bafodea. Brookfield Hotel, one of the better hotels. Painting on cloth at the hotel by Olayinka Burney-Nical. At the time she was the best modern artist in Sierra Leone, later moving to London and working almost entirely in painted cloth. Of Krio background (and from her name also Yoruba background). ...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Once each year, in the festival called 'the Beautiful Feast of Opet', the great god Amun-Re (Amon) of Karnak visited the sanctuary of Luxor. Representations and texts carved on the walls of the colonnade and elsewhere at Luxor Temple detail the processions to and from the Luxor sanctuary and allow the festivities to be reconstructed to a large deg...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The temple complex -for it originally consisted of two temples and a palace as well as many administrative buildings- was first called 'The Ramesseum' by Champollion. It was constructed for Ramesses by two architect-foremen, Penre of Coptos and Amenemone of Abydos, and built with a number of original features. Unfortunately, like so many of the mo...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

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Creators:
Elisofon, Eliot
Dates:
1961
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The present entrance is through the pylon of Ramesses II, once fronted with six colossi of the king (two seated and four standing) and two obelisks. One of the obelisks and two of the statues were transported to Paris in the last century, but those that remain provide impressive examples of these monuments. These colossi functioned on several leve...

4734 records — Page 347 of 470