4734 records — Page 350 of 470
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Creators:
Anacostia Museum
National Broadcasting Company
Howard University
Dates:
1992
Level:
item
Size:
1 Sound recording (cartridge, 1/4 inch)
Collection ID:
ACMA.03-033
Repository:
Anacostia Community Museum Archives

Clips of Marian Anderson's outdoor concert on the steps of the Lincoln Memorial in Washington, D.C. on April 9, 1939. Howard L. Ickes introduced Marian Anderson's performance. Narration between clips of radio broadcast provides context for historical event, including its significance in sparking D.C.'s modern civil rights movements.

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Creators:
Elisofon, Eliot
Dates:
1947
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The temple complex -for it originally consisted of two temples and a palace as well as many administrative buildings- was first called 'The Ramesseum' by Champollion. It was constructed for Ramesses by two architect-foremen, Penre of Coptos and Amenemone of Abydos, and built with a number of original features. Unfortunately, like so many of the mo...

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Creators:
Elisofon, Eliot
Dates:
1961
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The present entrance is through the pylon of Ramesses II, once fronted with six colossi of the king (two seated and four standing) and two obelisks. One of the obelisks and two of the statues were transported to Paris in the last century, but those that remain provide impressive examples of these monuments. These colossi functioned on several leve...

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Creators:
Elisofon, Eliot
Dates:
1951
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Historically the Wagenia of Kisangani represent an amalgamation of three kin groups, the Bina Nsoko, the Bina Nkulu and, the Bina Lombe. The Wagenia have been characterized by a segmented structure from the beginning. they lack a central authority. Tshesé is mostly used to refer to the entire tribe, while Tshebanda refer to kin group comprising on...

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Creators:
Elisofon, Eliot
Dates:
1951
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Historically the Wagenia of Kisangani represent an amalgamation of three kin groups, the Bina Nsoko, the Bina Nkulu and, the Bina Lombe. The Wagenia have been characterized by a segmented structure from the beginning. they lack a central authority. Tshesé is mostly used to refer to the entire tribe, while Tshebanda refer to kin group comprising on...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The present entrance is through the pylon of Ramesses II, once fronted with six colossi of the king (two seated and four standing) and two obelisks. One of the obelisks and two of the statues were transported to Paris in the last century, but those that remain provide impressive examples of these monuments. These colossi functioned on several leve...

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Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The present entrance is through the pylon of Ramesses II, once fronted with six colossi of the king (two seated and four standing) and two obelisks. The outer walls of the pylons were decorated in the time of Ramesses with a depiction of the Battle of Kadesh (1285 BC), and the inner walls of the gateway were added by the Nubian king Shabaka in the...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The mastaba of Ptahhotep, northwest of the Step Pyramid, is a funerary complex built for two Ptahhoteps and an Akhihotep. Ptahhotep ('Ptah is happy') was one of the greatest noblemen of late Fifth Dynasty. A kaleidoscope of genre scenes is represented in seven registers on the east wall of the cult chamber. Watching them is Ptahhotep with his elde...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The mastaba of Ptahhotep, northwest of the Step Pyramid, is a funerary complex built for two Ptahhoteps and an Akhihotep. Ptahhotep ('Ptah is happy') was one of the greatest noblemen of late Fifth Dynasty. A kaleidoscope of genre scenes is represented in seven registers on the east wall of the cult chamber. Watching them is Ptahhotep with his elde...

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Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The rectangular hall with eight engaged columns which marks the end of the Entrance Colonnade is connected with the practice of dividing visitors into classes according to status: The most important person (the living king) or persons should pass through the middle (or main) passage, while the less important must make their way to the right or the...

4734 records — Page 350 of 470