16616 records — Page 402 of 1662
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Creators:
Drewal, Henry John
Dates:
March 23, 1997
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2010-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
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Creators:
Elisofon, Eliot
Dates:
1947
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Pedi homestead usually has two or more huts: a main living-room with a cone-on-cylinder cooking hut and a cone-on-cylinder store or bedroom. The huts are arranged around an open space (lapa) which is the main living area during summer. The entire area is enclosed by a rubble or clay wall, leaving a gateway (kgora)." [Oliver P., 1998: Encyclope...

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Creators:
Elisofon, Eliot
Dates:
1947
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Pedi homestead usually has two or more huts: a main living-room with a cone-on-cylinder cooking hut and a cone-on-cylinder store or bedroom. The huts are arranged around an open space (lapa) which is the main living area during summer. The entire area is enclosed by a rubble or clay wall, leaving a gateway (kgora)." [Oliver P., 1998: Encyclope...

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Creators:
Elisofon, Eliot
Dates:
1947
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Pedi homestead usually has two or more huts: a main living-room with a cone-on-cylinder cooking hut and a cone-on-cylinder store or bedroom. The huts are arranged around an open space (lapa) which is the main living area during summer. The entire area is enclosed by a rubble or clay wall, leaving a gateway (kgora)." [Oliver P., 1998: Encyclope...

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Creators:
Elisofon, Eliot
Dates:
1947
Level:
item
Size:
1 negatives (photographic) (b&w, 2 1/4 x 2 1/4 inches.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Generally today the Xhosa favour the cone-on-cylinder dwelling (rontawuli), derived from the Afrikaans rondavel. The wall of blocks of earth, turf or stone slopes inward slightly towards the top and is capped by a conical thatch which is smoothed by a wooden legget and finally trimmed to a neat finish. The walls are smeared with dark grey clay and...

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Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Transkei Woman Preparing Food, 1947. The woman is sitting in front of a rock platform and is holding a rock in her hand. There are two dogs standing near her. In the background there is a homestead and to the side of her part of a building can be seen made of mud bricks. Photograph by Constance Stuart Larrabee, 1947.

In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print and 6x6 contact print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Transkei Women Near Homestead, 1947. One woman is standing next to the homestead and is holding a tool in her hand. The other woman is kneeling over with her back facing the camera. There are dogs standing nearby. Both are wearing skirts and head wraps. Photograph by Constance Stuart Larrabee, 1947.

In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print and 6x6 contact print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Transkei Man On Horseback, 1947. The man is sitting on a horse. He has a large, white sheet draped around him and is wearing a hat. There is a homestead in the background. Photograph by Constance Stuart Larrabee, 1947.

In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print and 6x6 contact print for reference purposes.

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Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Transkei Men With His Herd of Cattle, 1947. Twon is walking across a vast valley behind their herd of cattle. He has wrapped himself in a blanket. Photograph by Constance Stuart Larrabee, 1947.

In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Expand
Creators:
Larrabee, Constance Stuart
Dates:
1948
Level:
item
Size:
1 Negative (silver gelatin, b&w, 6 x 6 cm.)
1 copy print (b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This series of photographs depicts blind South Africans working in an occupational facility in Johannesburg. They are making baskets, tennis nets, and caning chairs.

16616 records — Page 402 of 1662