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Creators:
Scurlock Studio (Washington, D.C.)
Ansco (film manufacturer)
Dates:
May 1964
Level:
file
Size:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5")
Collection ID:
NMAH.AC.0618.S04.01
Repository:
Archives Center, National Museum of American History

Sidney Poitier standing at a bank counter writing on a piece of paper. A woman stands on the other side of the counter and two men stand to the side. Ink on negative: "#6" and "3 - 8x10". Ink on envelope: caption and "#4 - 2 [permits?] #6 - " #3 - 25 " #5 - 3" #2 - 3" #1 -5 [permits?]". "ANSCO SAFETY FILM 5" edge imprint. Retouching on hands and fa...

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Creators:
Faul, Jan, 1945-
Dates:
1991
Size:
0.3 Cubic feet (1 box)
Collection ID:
NMAH.AC.0441
Repository:
Archives Center, National Museum of American History

The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.

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Creators:
Hills, Patricia
Dates:
circa 1900-2015
bulk 1968-2009
Size:
23.1 Linear feet
Collection ID:
AAA.hillspat
Repository:
Archives of American Art

The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

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Creators:
Maltsby, Portia
Smithsonian Institution. Program in African American Culture
Dates:
1850-2004, undated
Size:
100 Cubic feet (309 boxes)
Collection ID:
NMAH.AC.0408
Repository:
Archives Center, National Museum of American History

The collection primarily documents the activities of the National Museum of American History's Program in African American Culture (PAAC) dating from 1979 through 2004. The Program in African American Culture (PAAC) created public programs documenting the black experience in the United States, as well as, other countries. Archival materials include photographs, programs, administrative files, magnetic tape, audiocassettes, U-matic and VHS video cassettes.

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Creators:
Scurlock, Addison N., 1883-1964
Dates:
[1930s.]
Level:
file
Size:
1 Item
Collection ID:
NMAH.AC.0618.S04.01
Repository:
Archives Center, National Museum of American History

Job Number: 18790

Male is in blackface, possibly Eddie Hartman. However, in a March 30, 2012 interview with Dr. Harold Corwin, who played "Stumpy" from 1938, curator David Haberstich was told that the male was neither Hartman nor Corwin. Possibly the Stump or Stumpy shown here was part of a Washington act inspired by the Stump and Stumpy of New York. Corwin furrther...

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Creators:
James Cunningham, Son and Company (Rochester, New York)
Dates:
1908-1964
bulk 1908-1929
Size:
10 Cubic feet (18 boxes)
Collection ID:
NMAH.AC.1193
Repository:
Archives Center, National Museum of American History

The collection consists of glass plate negatives and photographic prints of the glass plate negatives depicting horse-drawn hearses (funeral wagons), carriages, and ambulances and motorized vehicles produced by James Cunningham, Son and Company from approximately 1908 to 1929. The majority of the glass plates and photographic prints depict horse-drawn hearses, but there are some motorized vehicles.

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Creators:
McCausland, Elizabeth, 1899-1965
Dates:
1838-1995
bulk 1920-1960
Size:
45 Linear feet
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

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Dates:
1934-1973
Level:
series
Size:
0.5 Linear feet (Box 1)
Collection ID:
AAA.goldrobe
Repository:
Archives of American Art

Goldwater's correspondence is with academic colleagues, art museums, arts organizations, publishers, and former students. There is also scattered correspondence with artists and with family. Subjects include: requests to write book reviews and employment references, and to critique others' writings and provide research advice; Magazine of Art and M...

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Creators:
Organization of Independent Artists
Dates:
circa 1970s-circa 2003
Size:
28.4 Linear feet
Collection ID:
AAA.orgainda
Repository:
Archives of American Art

The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.

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Creators:
Saarinen, Aline B. (Aline Bernstein), 1914-1972
Dates:
1906-1977
Size:
14.2 Linear feet
Collection ID:
AAA.saaralin
Repository:
Archives of American Art

The Aline and Eero Saarinen papers measure approximately 14.2 linear feet and date from 1906 to 1977. The bulk of the collection consists of Aline Saarinen's papers which document her relationship with her husband Eero Saarinen and other aspects of their personal lives, as well as Aline's work as an art and architectural critic, author, and television correspondent. Papers include research files for published and planned books (in which can be found scattered original letters of Stanford White, John Quinn and Edward Root) and other projects, NBC correspondent files, writings, committee files, correspondence, photographs, printed material, and miscellaneous personal papers.

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