817 records — Page 44 of 44
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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
undated
Size:
1 Item (album (99 photoprints), b&w, 31.2 cm. x 41.6 cm. (sheet))
62 albumen prints (b&w, 25 cm. x 20 cm. or smaller)
Collection ID:
FSA.A2011.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

A large album of prints by photographer Antoin Sevruguin, likely dating from his early career in Iran in the 1870s and 1880s. The collection also includes a number of loose, unbacked prints, many duplicating the photographs in the album. Roughly half of the mounted prints have English handwritten captions.

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Dates:
1865–1872
Size:
90 Reels
Collection ID:
NMAAHC.FB.M1903
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 90 rolls of microfilm described in the NARA publication M1903. These digital surrogates reproduced the records of the Georgia staff offices and subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, registers of patients, orders and circulars issued and received, and other records relating to freedmen's complaints and contracts.

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Creators:
Leo Castelli Gallery
Dates:
circa 1880-2000
bulk 1957-1999
Size:
215.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.leocast
Repository:
Archives of American Art

The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

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Creators:
Ottenberg, Simon
Dates:
between 1951-1960
Size:
1068 Slides (photographs) (color)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Simon Ottenberg in Southeastern Nigeria within the Afikpo Village Group, at the time a group of 22 Eastern Igbo villages (sometimes considered part of the Cross River Igbo grouping) in southeastern Nigeria, while on a pre-doctoral Social Science Research Grant from December of 1951 through March of 1953 and during field research from September of 1959 to December of 1960. Also included are photographs taken from June of 1960 to December of 1960 of Abakaliki, a town and the administrative center of the northestern Igbo people, north of Afikpo. According to Dr. Ottenberg in his publication about masked Afikpo rituals, "The Afikpo belong to an Igbo subgroup called Ada or Edda (Forde and Jones 1950, pp. 51-56), which includes the Okpaha, Edda, Amaseri, and Unwana village-groups, all of which border on the Afikpo, and the Nkporo and Adaeze, both short distances away" (Masked Rituals of Afikpo, 1975, p. 3).

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Kopp, Harriet Green, 1917-
Dates:
1930-1950
Size:
4.75 Cubic feet (16 boxes)
Collection ID:
NMAH.AC.1130
Repository:
Archives Center, National Museum of American History

These papers relate to Kopp's work in visible speech technology, especially a project to develop a machine that would enable the deaf to understand the spoken voice; including biographical materials, research notes, lecture notes, spectrograms, research reports, log books, correspondence, slides and photographs, books, and documentation of grants f...

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Creators:
National Zoological Park. Office of Public Affairs
Dates:
1899-1988 and undated, with material from 1805
Size:
38.22 cu. ft. (39 document boxes) (1 half document box) (5 12x17 boxes) (23 16x20 boxes) (3 3x5 boxes) (oversize materials)
Collection ID:
Record Unit 365
Repository:
Smithsonian Institution Archives

The records of the National Zoological Park, Office of Public Affairs were for the most part created and maintained by Sybil E. Hamlet, Public Information Officer at NZP for over twenty years. Also included are some general correspondence and memoranda created by Hamlet's predecessor, Marion McCrane. As Public Information Officer, Hamlet was ...

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817 records — Page 44 of 44