16618 records — Page 434 of 1662
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Creators:
Larrabee, Constance Stuart
Dates:
1943
Level:
item
Size:
1 negatives (photographic) (black and white, 120mm)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
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Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Elisofon, Eliot
Dates:
1961
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Eliot Elisofon was working on "The Nile" project and traveled to Africa from March 14, 1961 to March 31, 1961, visiting Egypt.

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Eliot Elisofon was on assignment for American Institute of Architects, directing the Egyptian portion of the documentary on Ancient Egypt, March 1965 and September 1965.

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Creators:
South Images (Harare)
Dates:
ca. 1970
Level:
item
Size:
1 Postcard (b&w, 15 x 10 cm.)
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original caption reads, "Chishawasha, Zimbabwe."

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Creators:
South Images (Harare)
Dates:
ca. 1990
Level:
item
Size:
1 Postcard (b&w, 15 x 10 cm.)
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original caption reads, "Ten years of Independence, Zimbabwe."

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Creators:
National Museum of African Art (U.S.)
Keystone View Company
Underwood & Underwood
Dates:
1882-1930
Size:
240 Stereographs (black and white, 9 x 22 cm.)
Collection ID:
EEPA.1986-022
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photographs document African businesses, cities, industry, landscapes, peoples and resources. The collection documents various locations within Kenya, Tanzania, Congo (Democratic Republic of), Zimbabwe, Uganda and South Africa. Peoples represented include Kikuyu, Maasai, Bangi, Chagga, Ndombe, Poto, Bangala, Zulu, and Kongo peoples. There are many images of agriculture, hunting, making pottery, mining diamonds and gold, church services at a Catholic mission, a gathering of chiefs at a court, a lion-killing ceremony, and war dances. Businesses and industries shown include coffee plantations; the DeBeers Diamond Mine; a diamond mine compound and crushing mill; fishing boats; a hemp plantation; ivory trade; a market; and the stock market.

Found In
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Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Sotho Man, 1947. Photographic image of a Sotho man. He is wearing a hat, turtleneck, and jacket. The hat is woven from grass by the Lesotho people. Photograph by Constance Stuart Larrabee, 1947.

There are two 8x10 black and white fiber-based prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

16618 records — Page 434 of 1662