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- Creators:
-
Pepsi-Cola Company
- Dates:
-
1944
- Level:
- item
- Size:
-
1 Item (Ink on paper., 11.3" x 8.7".)
- Collection ID:
- NMAH.AC.0059
- Repository:
-
Archives Center, National Museum of American History
Jay Irving cartoon of four soldiers in the brush, planning an attack.
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
June 29-July 10, 2016
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2016
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
-
Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
October 5-10, 1977
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1977
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
-
Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
-
July 1-10, 1994
- Size:
-
1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1994
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Found In
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- Creators:
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Ehricke, Krafft, 1917-1984
- Dates:
-
1949-1984
- Size:
-
124.9 Cubic feet
- Collection ID:
- NASM.2003.0025
- Repository:
-
National Air and Space Museum Archives
This collection is composed of Krafft Ehricke's files including Ehricke's published and unpublished papers as well as papers and works by others that Ehricke gathered, presumably as reference material.
Found In
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- Dates:
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1835 - 1897
- Size:
-
3.5 Cubic feet (11 boxes, 15 oversize folders)
- Collection ID:
- NMAH.AC.1386
- Repository:
-
Archives Center, National Museum of American History
The collection documents Cyrus W. Field's efforts to lay the transatlantic cable from Ireland to Newfoundland in 1866. The materials include photographs, correspondence, resolutions, maps, charts, and printed publications about Field and the transatlantic Cable.
Found In
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- Creators:
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Forgie, James
- Dates:
-
1890 - 1949
bulk 1900-1935
- Size:
-
38.8 Cubic feet (85 boxes; 33 map-folders; 18 volumes)
- Collection ID:
- NMAH.AC.0986
- Repository:
-
Archives Center, National Museum of American History
The papers contain correspondence, reports, drawings, blueprints, cost estimates, contracts, specifications, regulations, legal documents, photographs, profiles, diagrams, clippings, and publications concerning projects which Forgie worked on, especially the Holland and Lincoln Tunnels, the Midtown Hudson Tunnels in New York City. Also included are...
Found In
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- Creators:
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Muray, Nickolas, 1892-1965
- Dates:
-
1910-1992
- Size:
-
1.5 Linear feet
- Collection ID:
- AAA.muranick
- Repository:
-
Archives of American Art
The papers of photographer Nickolas Muray measure 1.5 linear feet and date from 1910 to 1978. Found within the papers are biographical materials; business and personal correspondence, including a handful of letters from Frida Kahlo; writings; teaching files, primarily of photography courses taught at New York University; printed material; artwork; and photographic materials of Muray, his family and friends, and his work. There is a 0.6 linear feet Unprocessed Addition which includes biographical material, correspondence, photographs, research notes and a diary about Africa, and a subject file on the book The Revealing Eye, Personalities of the 1920s, written by Paul Gallico with photographs taken by Muray, 1967.
Found In
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- Creators:
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Brown, Bolton, 1864-1936
- Dates:
-
1882-1987
bulk 1882-1936
- Size:
-
1.7 Linear feet
- Collection ID:
- AAA.browbolt
- Repository:
-
Archives of American Art
The papers of lithographer, educator, and author Bolton Coit Brown measure 1.7 linear feet and date from 1882 to 1987 with the bulk of the material dating from 1882 to 1936. Found within the papers are biographical material; extensive personal correspondence with family members and friends; writings, including drafts of Art of Art Study and Lithography Since Whistler; and printed material.
Found In
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- Creators:
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Bocour, Leonard, 1910-1993
- Dates:
-
1933-1993
- Size:
-
11.8 Linear feet
- Collection ID:
- AAA.bocoleon
- Repository:
-
Archives of American Art
The papers of American art collector, paint manufacturer, lecturer, and painter, Leonard Bocour measure 11.8 linear feet and date from 1933 to 1993. Found within the papers are biographical material; miscellaneous correspondence with artists and colleagues, including Helen Frankenthaler, Chaim Gross, Philip Guston, Alex Katz, Jack Levine, Morris Louis, David Oxtoby, and Philip Pearlstein; diaries, daily calendars, notes and writings; personal business records and the business records of Bocour Artist Colors, Inc.; transcripts of interviews with Bocour; and printed material.