271 records — Page 6 of 28
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Creators:
Dudas, Michael A.
Dates:
1983
Size:
41 slides (photographs) (1 volume, color)
Collection ID:
EEPA.1984-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Michael A. Dudas while traveling in Angola, Cameroon, Cote d'Ivoire, Mauritania and the Democratic Republic of the Congo in 1983.

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Creators:
Dickerson, Amina
Dates:
1982
Size:
55 negatives (photographic) (+ contact prints, black & white)
238 slides (photographs) (1 volume, color)
Collection ID:
EEPA.1982-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Amina Dickerson in 1982 during her travels in Niger, Nigeria and Senegal. Images are mostly of the Hausa, Yoruba and Tuareg peoples.

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Creators:
Stanley, Janet
Dates:
1981
Size:
47 slides (photographs) (color)
Collection ID:
EEPA.1983-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Janet Stanley in 1981 during her travels through Kenya, Tanzania, Zanzibar and the Seychelles.

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Creators:
Fosberg, F. Raymond (Francis Raymond), 1908-1993
Dates:
circa 1951-1985
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 98-026
Repository:
Smithsonian Institution Archives

This accession consists of papers created by F. Raymond Fosberg while with the International Biological Programs (1960s), the National Research Council (1960s), the Smithsonian Institution as Special Advisor for Tropical Biology (1970s), and the U.S. Geological Survey (1950s). Papers also include personal files, with dates circa 1960-1985, ...

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Creators:
Smithsonian Institution,Office of International Activities
Dates:
1965-1977
Size:
21 cu. ft. (21 record storage boxes)
Collection ID:
Accession T89080
Repository:
Smithsonian Institution Archives

This collection consists of grant audits, progress reports, correspondence and travel files. See Record Unit 180 for similar materials.

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Creators:
National Museum of African Art. Office of the Director
Dates:
2008-2017
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 18-106
Repository:
Smithsonian Institution Archives

This accession consists of correspondence created or maintained by Johnnetta B. Cole, 2009-2017. Topics covered include programs, travel, and collaborations with museums, educational institutions, professional societies, corporations, foundations, and individuals in the field of African art and related studies. Materials include correspondence...

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Creators:
Faber, Eduoard Otto
Dates:
circa 1918-1943
Size:
168 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.97-33
Repository:
National Anthropological Archives

Images of Congolese people, villages, boats, events, and scenery as well as possibly Faber and his friends and colleagues.

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Creators:
De Forest, Lockwood, 1850-1932
Dates:
1858-1980
bulk 1870-1930
Size:
3.8 Linear feet
Collection ID:
AAA.defolock
Repository:
Archives of American Art

The papers of New York and California based interior designer, architect, collector and painter Lockwood de Forest measure 3.8 linear feet and date from 1858 to 1980, bulk dates 1870 to 1930. The collection includes correspondence, writings, diaries, journals, exhibition files, personal business records, printed material, sketchbooks, drawings, and photographs.

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Creators:
Ofcansky, Thomas P., 1947-
Dates:
1678-circa 2005
Size:
1 Booklet (sheet music)
30 Engravings
6 Photographic prints
6 Posters
1 Drawing
2 Documents
12 Maps
Collection ID:
EEPA.2015-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from 1678 to circa 2005 and consists of 58 maps, engravings, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa.

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Creators:
Brusseaux, Eugene
Dates:
between 1900-1905
Size:
35 negatives (photographic) (black & white, 6 x 7 cm.)
354 photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)
Collection ID:
EEPA.1999-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris. The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends. The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).

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271 records — Page 6 of 28