744 records — Page 57 of 58
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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 Negatives (photographic) (b&w, 35mm)
30000 Slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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Creators:
Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
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Dates:
1883-1998
Size:
10 Cubic feet (30 boxes)
Collection ID:
NMAH.AC.0791
Repository:
Archives Center, National Museum of American History

Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.

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Creators:
Kopp, Harriet Green, 1917-
Dates:
1930-1950
Size:
4.75 Cubic feet (16 boxes)
Collection ID:
NMAH.AC.1130
Repository:
Archives Center, National Museum of American History

These papers relate to Kopp's work in visible speech technology, especially a project to develop a machine that would enable the deaf to understand the spoken voice; including biographical materials, research notes, lecture notes, spectrograms, research reports, log books, correspondence, slides and photographs, books, and documentation of grants f...

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Creators:
Larrabee, Constance Stuart
Dates:
1900-1997
Size:
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.

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Creators:
Carter, Benny, 1907-2003
Dates:
1928-2000
Size:
67.5 Cubic feet (182 boxes, 3 oversize folders)
Collection ID:
NMAH.AC.0757
Repository:
Archives Center, National Museum of American History

The majority of the material in the Benny Carter Collection is dated from the late 1920s through the later half of the 1990s. Donated to the Smithsonian Institution in December, 2000, the bulk of the collection is comprised of original music manuscripts (full scores and parts), band books, and published sheet music from Benny Carter's prolific care...

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Creators:
Penn, Larry
McGee, Bobbie
Collector Records
Magpie
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Dates:
circa 1937-2004
bulk 1960-1990
Size:
34.28 Cubic feet (3 record boxes of business records; 8 record boxes, including 374 non-master audio reels (10", 7", 5", 4" and 2" reels); 160 10" reels in open stacks; 4 record boxes, including 853 audio cassettes; 1 record box, including 36 video cassettes; and 491 long play records, 45s and compact discs.)
Collection ID:
CFCH.COLL
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection documents the activities of Joe Glazer's record label Collector Records. Materials include the label's original commercial recordings, paper records related to day-to-day business operations and production, field recordings made by Joe Glazer, and Glazer's personal music collection.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1839-1986, undated
Size:
94 Boxes
Collection ID:
NMAH.AC.0300.S16
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 16: Country, Western, and Folk Music contains approximately 11,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards country, western, and folk music in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
American Petroleum Institute.
Dates:
1860s-1980s
bulk 1955-1990
Size:
45 Cubic feet (122 boxes)
Collection ID:
NMAH.AC.0711
Repository:
Archives Center, National Museum of American History

Collection includes historic photographs, slides and films on subjects relating to all aspects of the petroleum industry, including exploration, drilling, refineries, tankers, pipelines, automobiles, trucks, aviation, refueling, buildings, coal, gasification, plants, mining, surface mining, fields, land reclamation, coastal zone management, corporate public service, educational programs, crude oil, deepwater ports, and watercraft It also documents numerous products other than gasoline produced by the petroleum industry, such as propane, lubricants, heating oil, and plastics.

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Creators:
Mallery, Garrick, 1831-1894
Dates:
1849-1902
bulk 1870-1895
Size:
41.29 Linear feet (22 boxes, 29 folders, 3 mounted drawings, and 3 rolled items)
Collection ID:
NAA.MS2372
Repository:
National Anthropological Archives

Garrick Mallery (1831-1894) was an ethnologist with the Bureau of American Ethnology who focused primarily on Native American sign language and pictography. This collection reflects Mallery's research interests and methods. Much of the collection is comprised of correspondence and notes relating to sign language and pictography and is organized chiefly by either the cultural or geographic region to which the material belongs. Bound volumes of several of his publications are included, along with annotated draft copies from collaborators. In the case of Mallery's work on pictography, the collection includes several oversize items including original works and reproductions.

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Creators:
Hrdlička, Aleš, 1869-1943
Dates:
1875-1966
bulk 1903-1943
Size:
206.71 Linear feet (294 boxes, 138 folders, 9 rolled items, and 4 folios)
Collection ID:
NAA.1974-31
Repository:
National Anthropological Archives

The papers of Aleš Hrdlička, curator in the Division of Physical Anthropology, Department of Anthropology, United States National Museum of the Smithsonian Institution, offer considerable insight into the development of physical anthropology in the first half of this century. The papers include honors bestowed on Hrdlička, autobiographical notes, correspondence with many of the leading anthropologists of the day, anthropometric and osteometric measurements and observations (forming most of the collection), extensive photographs of Hrdlička's field work, manuscripts, research materials, and "My Journeys" (essentially a diary Hrdlička kept of his field work). In addition, there is material of a personal nature. The papers date from 1875 to 1966, but the bulk of the materials date from 1903 to 1943, the time of Hrdlička's career at the USNM.

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744 records — Page 57 of 58