These records document the history of the Department of Aeronautics from 1966-1986, a period marked by intensive planning for the new museum, its construction and opening in July 1976, and the emergence of the National Air and Space Museum as a large and important bureau of the Smithsonian and the most visited …
Richard Lippold papers
The papers of sculptor and educator Richard Lippold measure 1.3 linear feet and date from 1940s to 1977. The collection provides documentation on Lippold's career through correspondence, writing files, project files, printed materials, and several motion picture films.
Frank Frick photograph collection relating to India
1 Print (silver gelatin)
Photographs in albums made by Frank Frick documenting architecture, people, agriculture, and scenery in India. Photographs are annotated with descriptions and dates that apparently relate to Frickʹs visits. Some photographs were made by Raja Deen Dayal (also known as Lala Deen Dayal) and Samuel Bourne. The collection also includes one …
David H. DeVorkin Papers
This accession consists of an installment of the papers of David H. DeVorkin, Curator, Space History Division, National Air and Space Museum (NASM). Materials mostly concern the STARS gallery which went up at NASM in 1983.
These records contain correspondence, memoranda, and related material concerning the administration of bureaus listed above, as well as material concerning relationships with other Smithsonian offices. Also included are some files from Blitzer's previous position as Director of the Office of Education and Training.
S. Lane Faison papers
The papers of art historian and Monuments Man S. Lane Faison measure 5.1 linear feet and date from 1922 to 1981, bulk from 1950-1976. Faison was an art history professor at Williams College, Massachusetts and, during World War II, he was a member of the Art Looting Intelligence Unit (ALIU) of the U.S. Office of Strategic Services. The collection includes scattered correspondence; writings; teaching files; subject files on exhibitions and projects; artists files; and printed materials. There are two folders of documents and photographs related to Faison's World War II work in the U.S. Art Looting Intelligence Unit.
This accession consists of correspondence, blueprints, architectural drawings, specifications, and logbooks concerning Office of Design and Construction projects. Museums and buildings documented in this accession include: National Museum of Natural History, Arts and Industries Building, Quadrangle Building, Hirshhorn Museum and Sculpture Garden, National Air and Space Museum, National Museum of …
Jacques Seligmann & Co. records
The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.
Harry Warnecke New York News Sunday Coloroto Magazines
Warnecke, Harry, 1900-1984
Approx. 765 issues of the New York News Sunday Coloroto supplement (partial copies), containing reproductions of color photographs by Warnecke and others. Most of the cover illustrations depict motion picture and television stars. Most, but apparently not all, of the issues contain reproductions of Warnecke's work.
Joseph Cornell Study Center Collection
186 Nitrate negatives
The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.