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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1930
Level:
item
Size:
1 Item (photographic print, b&w, 22.8 cm. x 17 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "109."

- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "4?6."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Séfid Roud."

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 20.9 cm. x 16.6 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The image is the close relative of another image in the archive of Sevruguin's negatives that depict the same three women in similar attire and setting but in different poses (FSA A.4 2.12.GN.31.03)." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Black paper on the back. Very little black ink on the face of the negative. The face of the woman on the right and left are touched up. Varnish."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "341."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1238."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) not readable.

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "119) Persian women under kursi." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 43.10: Persian woman under kursi (# 119)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1928
Level:
item
Size:
1 Item (photographic print, b&w, 16.5 cm. x 22.4 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "340."

- On verso of the print, handwritten number (penciled) reads, "219."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Filles arméniennes à Ourmiah."

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1930
Level:
item
Size:
1 Item (photographic print, b&w, 21.1 cm. x 16.3 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "255."

- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "La Rue du Gaz."

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1928
Level:
item
Size:
1 Item (photographic print, b&w, 16.8 cm. x 22 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "36."

- On verso of the print, handwritten number (penciled) reads, "174."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Les Bohémiennes."

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Creators:
Knight, Gwendolyn
Lawrence, Jacob, 1917-2000
Dates:
1816
1914-2008
bulk 1973-2001
Size:
25.35 Linear feet
0.001 Gigabytes
Collection ID:
AAA.lawrjaco
Repository:
Archives of American Art

The papers of African American painter and educator Jacob Lawrence and his wife, artist Gwendolyn Knight measure 25.35 linear feet and 0.001 GB date from 1914 to 2008, with one item from 1816 and the bulk of the material dating from 1973 to 2001. The collection includes biographical material; correspondence including condolence letters to Gwendolyn Knight after Jacob Lawrence's death; writings by Jacob Lawrence and others; printed and digital material; photographs; personal business records; artwork; records from the Jacob Lawrence Catalogue Raisonné Project; materials related to the Jacob and Gwendolyn Knight Lawrence Foundation; professional files; and material related to awards and honors received by Jacob Lawrence and Gwendolyn Knight.

Found In
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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
ca. 1880
Level:
item
Size:
1 glass negative (b&w, 17.8 cm. x 23.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"Mostawfi al-Mamalik was a respected politician of Nasir Al-Din Shah's court. During Nasir's trips outside the capital - to Mashhad in 1866, Baghdad in 1870 and Europe in 1878 - he was appointed as the second-in-command and assistant of Kamran Mirza, the crown prince." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Researc...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Black paper on the back. Red ink between the paper and the figure."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "36) Mustofiyi Mamalik." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 41.2: Mustofizi Mamalik (#36)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1917
Level:
item
Size:
1 glass negative (b&w, 17.8 cm. x 23.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"Born in 1848, Mukhbir al-Dawla was appointed as the minister of Post and Telegraph in 1897 when he took over his father's post after his death and he stayed in this position - with a 3 year absence from 1910-1913 - for the next 15 years." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Face is touched up."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "763."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1269."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "19) Vazir of Nasr Din Shah." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 42.13: Vazir of Nasr ud Din Shah (#19)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 23.8 cm. x 17.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The structure dates back to 807 A.D. with the later Seljuk additions of the two iwans in the northern side and the twelfth century construction of the prayer hall, dome, courtyard, and the religious school. Later additions include the Safavid (1501-1732) addition of the southern and western iwans and arcades and the Qajar (1779-1924) expansion of ...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "The sky is covered with black paper. The area between the paper and the horizon line is filled with black ink. The ink is applied with meticulous attention to detail of the horizon."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "167."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "476."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 33.5: (P) [black-and-white print on hand]. Mosque." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1930
Level:
item
Size:
1 Item (photographic print, b&w, 22.7 cm. x 16.5 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "158."

- On recto of the print, scratched handwritten number (penciled) reads, "4??."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Pahlévi."