Correspondence, photos, exhibition catalogs and announcements, clippings, awards, membership cards, minutes of meetings, and financial papers and scrapbooks, much of it relating to the National Association of Women Artists, Inc. of which Whinston was President, 1957-1961, and several other art organizations in which Whinston was involved.

An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.

The papers of Boston portraitist and painter Polly Thayer (Starr) (1904-2006) measure 21.6 linear feet and 0.807 GB and date from 1846 to 2008, with the bulk of the materials dating from 1921-2008. The papers document Thayer's personal life and career as a painter, portraitist, and pastel artist. Found within the papers are biographical materials, extensive family papers, correspondence with artists and art venues, interviews, writings, subject files, organization files, exhibition files, art inventory records, printed and digital materials, five sketchbooks, artwork, and photographs.

The series consists of interviews, correspondence, video production and research material related to projects sponsored by the Renate, Hans, and Maria Hofmann Trust to document Hofmann's career and influence. Research material compiled by Tina Dickey includes 30 interviews conducted by Dickey with former students of Hofmann, a recording of a pane...

The papers of painter and educator Jacqueline Gourevitch measure 5.6 linear feet and date from 1946-2019 and document her education at Black Mountain College, Black Mountain, N.C., and the Art Students League; her teaching career; and exhibitions in Chicago and New York through biographical material, teaching files, personal and professional correspondence, gallery and exhibition files, and printed material.

The papers of art critic, curator, and educator April Kingsley and painter, sculptor, writer, and educator Budd Hopkins measure 11 feet and 0.209 Gigabytes, and date from circa 1945-2017. Kingsley's papers are comprised primarily of artist files for figures that April had a significant engagement with, project files, interviews with artists, subject file index cards, biographical materials, and miscellaneous correspondence. Hopkins' papers are comprised of biographical material, as well as correspondence with various prominent art world figures including Richard Diebenkorn, Robert Motherwell, Carl Andre, Howardena Pindell, and Robert Rosenblum. Hopkins' personal business records include correspondence and sale and consignment information. Also found are writings, printed material, including exhibition invitations and catalogs and press clippings, and photographic material depicting Hopkins and his artwork.

The microfilmed Arthur and Jean Goodwin Ames papers contain illustrations of murals by Arthur Ames; a biographical sketch of the artists; the WPA-FAP publication Southern California Creates; and miscellany.

The Zorach Family papers measure 4.4 linear feet and consist of materials relating to the lives and careers of sculptor and painter William Zorach, his wife painter and weaver Marguerite, and their children, painter and multi-media artist Dahlov Ipcar and collector and art dealer Tessim Zorach. The bulk of the papers consists of letters to Tessim regarding his parent's artwork. Additional materials include scattered letters to William Zorach; writings and notes by William, Marguerite, and Tessim; a sketchbook and drawings by William; prints by Marguerite; Marguerite's scrapbook; printed materials; and photographs of the Zorach family and of William Zorach in his studio and at work.

The papers of painter Hedda Sterne measure 1.3 linear feet and date from 1939 to 1977. Found within the papers are biographical material; personal and professional correspondence, including extensive correspondence from Sterne's second husband Saul Steinberg, the artist known for his New Yorker drawings; writings; exhibition files; printed material; drawings and 3 sketchbooks; photographs and slides of Sterne, her family, and her work; and originals of Antoine de Saint-Exupéry's work Lettre A Leon Werth and 4 drawings Saint-Exupéry sent to Sterne.

Series contains records documenting the creation and public exhibition of shows at the Contemporary Wing galleries from its inception in 1964 to its close in 1975, as well as records for several exhibitions that were in development but not yet realized when the college closed. Documentation includes artist files, checklists, correspondence, writing...