7574 records — Page 666 of 712
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Creators:
Lincoln, Abbey, 1930 -
Adderly, Nat, 1931-
Wilson, Nancy, 1937-
Mbulu, Letta
More …
Dates:
1916-2010, undated
Size:
23.6 Cubic feet (96 boxes)
Collection ID:
NMAH.AC.1221
Repository:
Archives Center, National Museum of American History

The collection documents Levy's short career as a musician, his longer career as a manager, and the careers of some of his clients. The client most well represented in the collection is Nancy Wilson, with recordings, photographs, correspondence, financial statements, and contracts included. Papers relating to other clients include business records ...

Found In
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Creators:
Benton, Thomas Hart, 1889-1975
Marx, Groucho (Julius Henry), 1890-1977 (comedian)
Dates:
1911-1978, undated
Size:
12 Cubic feet (39 boxes)
Collection ID:
NMAH.AC.0269
Repository:
Archives Center, National Museum of American History

Series 1: Correspondence, 1932-1977 is arranged alphabetically by correspondent. In 1965, Marx gave the Library of Congress a portion of his correspondence with well-known personages. The majority of the correspondence in this collection dates from the post World War II era (Marx's early correspondence is located at the Library of Congress.) Th...

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Creators:
Cheatham, Doc, 1905-1997
Cheatham, Amanda
Dates:
1939-1998
Size:
11 Cubic feet (23 boxes)
Collection ID:
NMAH.AC.0814
Repository:
Archives Center, National Museum of American History

Papers documenting Cheatham's career as a jazz trumpeter. The papers include passports, appointment and address books; photographs, both personal and professional; a transcript of an interview of Cheatham; sheet music, including parts for various instruments; home movies from Cheatham's travels; awards and certificates; printed material including posters, programs, clippings.

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Creators:
Signor, B. Warren
Dates:
circa 1945-1949
Size:
1 Sound recording
0.01 Linear feet
Collection ID:
NMAI.AC.109
Repository:
National Museum of the American Indian

This collection consists of 1 reel-to-reel audio tape and 2 manuscript pages of descriptive material related to the Songs of the Sioux audio tape.

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Creators:
Fruhauf, Aline, 1909-1978
Dates:
1926-1976
Size:
62 Items ((on 5 partial reels of microfilm))
Collection ID:
AAA.fruhalin
Repository:
Archives of American Art

Photographs of works of art and of friends; scrapbooks; clippings; exhibition materials; typescripts; greeting cards; and correspondence.

Found In
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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Okonkwo dance presented on the the market day, aho, 9 January 1960 in the Eastern Igbo community of Oha Nwego Village, in neighboring Okpoha Village-Group. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okpoha Ngodo performance at Okpoha Village-Group, an Igbo village-group northwest of Afikpo, related to it historically. Xylophone around which masqueradres dance, with carved wooden figure. Two masked players perform on it together, one on each side." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication title reads, "The xylophone at the Okpoha Village-Group okonkwo dance."

"Okonkwo, also called okpoha ngodo, is a dance of young adult men wearing wooden masks and costumes something like those of the akparakpa dancers in the okumkpa, who perform to the music of a xylophone, basket rattles, and in some cases a wooden gong. The xylophone (igeri or akware) is in the center of the common. Composed of nine boards, without c...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Okonkwo dance presented on the the market day, aho, 9 January 1960 in the Eastern Igbo community of Oha Nwego Village, in neighboring Okpoha Village-Group. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okpoha Ngodo performance at Okpoha Village-Group, an Igbo village-group northwest of Afikpo, related to it historically. Masqueraders dancing around the xylophone." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication title reads, "Okonkwo dance at Okpoha Village-Group. Xylophone players are seated at center."

"Okonkwo, also called okpoha ngodo, is a dance of young adult men wearing wooden masks and costumes something like those of the akparakpa dancers in the okumkpa, who perform to the music of a xylophone, basket rattles, and in some cases a wooden gong. The xylophone (igeri or akware) is in the center of the common. Composed of nine boards, without c...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Okonkwo dance presented on the the market day, aho, 9 January 1960 in the Eastern Igbo community of Oha Nwego Village, in neighboring Okpoha Village-Group. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okpoha Ngodo performance at Okpoha Village-Group, an Igbo village-group northwest of Afikpo, related to it historically. Masqueraders with blue dress and white faced mask is dressed as a female, and as always at Afikpo as well, attracts attention." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okonkwo, also called okpoha ngodo, is a dance of young adult men wearing wooden masks and costumes something like those of the akparakpa dancers in the okumkpa, who perform to the music of a xylophone, basket rattles, and in some cases a wooden gong. The xylophone (igeri or akware) is in the center of the common. Composed of nine boards, without c...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Okonkwo dance presented on the the market day, aho, 9 January 1960 in the Eastern Igbo community of Oha Nwego Village, in neighboring Okpoha Village-Group. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okpoha Ngodo performance at Okpoha Village-Group, an Igbo village-group northwest of Afikpo, related to it historically. Masqueraders with blue dress and white faced mask is dressed as a female, and as always at Afikpo as well, attracts attention." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okonkwo, also called okpoha ngodo, is a dance of young adult men wearing wooden masks and costumes something like those of the akparakpa dancers in the okumkpa, who perform to the music of a xylophone, basket rattles, and in some cases a wooden gong. The xylophone (igeri or akware) is in the center of the common. Composed of nine boards, without c...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Okonkwo dance presented on the the market day, aho, 9 January 1960 in the Eastern Igbo community of Oha Nwego Village, in neighboring Okpoha Village-Group. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okpoha Ngodo performance at Okpoha Village-Group, an Igbo village-group northwest of Afikpo, related to it historically. Masqueraders with blue dress and white faced mask is dressed as a female, and as always at Afikpo as well, attracts attention." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication title reads, "Player imitating a female standing in front of the xylophone musicians at the okonkwo dance, Okpoha Village-Group."

"Okonkwo, also called okpoha ngodo, is a dance of young adult men wearing wooden masks and costumes something like those of the akparakpa dancers in the okumkpa, who perform to the music of a xylophone, basket rattles, and in some cases a wooden gong. The xylophone (igeri or akware) is in the center of the common. Composed of nine boards, without c...

7574 records — Page 666 of 712