8501 records — Page 691 of 824
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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masquerade parade at Ukpa Village. Egbiri masquerade as initiates call it, or ochinza as non-initiates name it. Holding an nza, which is the tail of anything you use in dancing. Here it is either a cow or horse tail." [Ottenberg field research notes, September 1959-December 1960, Part I].

"One of the net costume at this play is egbiri, or ochinza, as noninitiates to the secret society call it. The egbiri wears an elaborate headpiece which has a number of rectangular or square mirrors placed on it, facing forward, and there are dyed colored feathers, often pink, projecting from its top edges. There are usually only one or two egbiri ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Dancers." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts ori players coming out and dancing. They are the principal actors in the skits. They also come out and dance as individuals between some of the events. The ori are active singers in the chorus. They are experienced players, as a rule, having taken part in previous performances.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Four-day, after the birth, coming out ceremony for my field assistant, Tom Ibe's new son, which he named Simon after me. Mgbom Village. The backside of the Nsi Omume (nsi Omumu, Nsi Omomo) shrine. The priest, Ukie placing foo foo food in a special calabash called ogba, to place in the shrine. The priest wears only a loin cl...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original title reads, "The secret society dressing house for masquerades, called ajaba at Elogo ward, Mgbom village. It is only the frame structure here, not complete." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Ajaba is a roofless dressing house found in each common in villages belonging to the Itim subgroup of Afikpo. The house is used for changing into costumes for public plays and dances of the village secret society." [Ottenberg S., 1971: Leadership and Authority in an African Society; the Afikpo Village-Group. University of Washington Press].

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
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[ ]
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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

8501 records — Page 691 of 824