8503 records — Page 695 of 824
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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Ekpe storage house for Elogo ward." [Ottenberg field research notes, O Series,December 1951-March 1953].

"Ajaba is a roofless dressing house found in each common in villages belonging to the Itim subgroup of Afikpo. The house is used for changing into costumes for public plays and dances of the village secret society; sometimes storage houses belonging to the secret society are also found in the ward common." [Ottenberg S., 1971: Leadership and Author...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Old house roofing, viewed from the road, Ezi Ukwu compound, Mgbom Village." [Ottenberg field research notes, O Series,December 1951-March 1953].

"The compound is called Ezi followed by the name of its founder, who is also usually the original ancestor of the patrilineage. The houses in many compounds, particularly those increasing in population, are built wall to wall and back to back, separated by narrow alleyways and streets winding tortuously here and there. There is usually a separate h...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Palm kernel collection day, in which men collect palm kernel bunches from the Mgbom Village palm grove and sell them. Money goes to the village elders to use as they wish. Old men watching the money being counted." [Ottenberg field research notes, O Series,December 1951-March 1953].

"The groves, usually small and near the Afikpo villages, are either of palm trees, raffia, or bamboo, a recent introduction to Afikpo. Palm groves, which produce cash crops in the form of fruits or wine, are generally under the control of a matrilineage male who lives nearby, and hi is also said to control the land on which the trees stand. Only oc...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Celebrations the day that the famous Igbo political Nnamdi Azikiwe came to Afikpo. Much loved at Afikpo as elsewhere in Igboland. Elections coming up later in the year, he is head of N.C.N.C. (National Council of Nigeria and the Cameroons) political party. At Afikpo Government Primary School grounds. Itike dancers carrying ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Celebrations the day that the famous Igbo political Nnamdi Azikiwe came to Afikpo. Much loved at Afikpo as elsewhere in Igboland. Elections coming up later in the year, he is head of N.C.N.C. (National Council of Nigeria and the Cameroons) political party. At Afikpo Government Primary School grounds. Itike dancers carrying ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Mgbom Village, days after whipping contests. Logholo masquerader with an acali mask, Mgbom Village square. When upright he can be chased and thrown by young men, but when sitting down to rest he cannot." [Ottenberg field research notes, September 1959-December 1960, Part I].

"There are a number of masked and costumed figures, called by the general term of logholo, who play about in the commons of their villages and are chased by uninitiated boys. The costume of the most common form of logholo consists of a light-yellow raffia cover from the shoulders to below the knees. A wooden mask goes with the costume, the acali an...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Uninitiated boys logholo masquerade at ogo nte square, Amebo ward, Mgbom Village. Mainly chasing one another. They can speak, while adult lgholo cannot, except first time they play this after initiation, when they wear sheep's testicles, and travel to market to mark their initiation, which is called lgholo isubu (logholo-en...

"There are a number of masked and costumed figures, called by the general term of logholo, who play about in the commons of their villages and are chased by uninitiated boys. The costume of the most common form of logholo consists of a light-yellow raffia cover from the shoulders to below the knees. The logholo for the unitiated, in which the playe...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masquerade parade, Mgbom village, players practicing at home then moving out to Amuro Village. Walking through Mgbom Village before leaving for other villages to parade." [Ottenberg field research notes, September 1959-December 1960, Part I].

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Okonkwo dance presented on the the market day, aho, 9 January 1960 in the Eastern Igbo community of Oha Nwego Village, in neighboring Okpoha Village-Group. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okpoha Ngodo performance at Okpoha Village-Group, an Igbo village-group northwest of Afikpo, related to it historically. Xylophone around which masqueradres dance, with carved wooden figure. Two masked players perform on it together, one on each side." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okonkwo, also called okpoha ngodo, is a dance of young adult men wearing wooden masks and costumes something like those of the akparakpa dancers in the okumkpa, who perform to the music of a xylophone, basket rattles, and in some cases a wooden gong. The xylophone (igeri or akware) is in the center of the common. Composed of nine boards, without c...

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Creators:
Greene, Isabelle Clara, 1934-
Greene, Isabelle Clara, 1934-
Smith, George Washington
Neumann, Andy
More …
Dates:
04/01/1979
Level:
item
Size:
1 Slide (col.)
Collection ID:
AAG.GRE
Repository:
Archives of American Gardens
8503 records — Page 695 of 824