8501 records — Page 700 of 824
[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Uninitiated boys logholo masquerade at ogo nte square, Amebo ward, Mgbom Village. Mainly chasing one another. They can speak, while adult lgholo cannot, except first time they play this after initiation, when they wear sheep's testicles, and travel to market to mark their initiation, which is called lgholo isubu (logholo-en...

"There are a number of masked and costumed figures, called by the general term of logholo, who play about in the commons of their villages and are chased by uninitiated boys. The costume of the most common form of logholo consists of a light-yellow raffia cover from the shoulders to below the knees. The logholo for the unitiated, in which the playe...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Cross bamboo poles, showing manner of tying on an old roof, Ezi Ukwu compound, Mgbom Village." [Ottenberg field research notes, O Series,December 1951-March 1953].

"The compound is called Ezi followed by the name of its founder, who is also usually the original ancestor of the patrilineage. The houses in many compounds, particularly those increasing in population, are built wall to wall and back to back, separated by narrow alleyways and streets winding tortuously here and there. There is usually a separate h...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Palm kernel collection day, in which men collect palm kernel bunches from the Mgbom Village palm grove and sell them. Money goes to the village elders to use as they wish. As usual, palaver over the shares and much talk and argument." [Ottenberg field research notes, O Series,December 1951-March 1953].

"The groves, usually small and near the Afikpo villages, are either of palm trees, raffia, or bamboo, a recent introduction to Afikpo. Palm groves, which produce cash crops in the form of fruits or wine, are generally under the control of a matrilineage male who lives nearby, and hi is also said to control the land on which the trees stand. Only oc...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1967
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1971
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Tombouctou (Timbuktu) is populated by Songhay, Tuareg, Fulani (Fulbe), and Moorish people, and is about 15km north of the River Niger. It is also at the intersection of an east-west and a north-south Trans-Saharan trade across the Sahara to Araouane. It was important historically (and still is today) as an entrepot for rock-salt from Taoudenni (Tao...

[ ]
Collapse
[ ]
Expand
Creators:
Bracher, Maya
Dates:
1971
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The village of Niongono, situated on the top of a horse-shoe shaped rock, is defended by a series of natural ramparts formed by the rocky terracing and the structural layout of the buildings. In contrast with the general kind of Dogon dwelling unit which is divided into family units, at Niongono a 15-foot wall completely surrounds each of the dist...

8501 records — Page 700 of 824