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Creators:
Neiman, LeRoy, 1921-2012
Dates:
1938-2005
Size:
70.5 Linear feet
Collection ID:
AAA.neimlero
Repository:
Archives of American Art

The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.

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Creators:
Printed Matter, Inc.
Dates:
1970-1990
Size:
24.9 Linear feet
Collection ID:
AAA.prinmati
Repository:
Archives of American Art

The records of Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York, measure 24.9 linear feet and date from 1970 to 1990. Documentation on this organization includes artist, distributor, and client files; inventory records; legal and administrative records; general correspondence; ledgers, invoices, and other financial records; files arranged by subject; and architectural drawings of the interior office space. The administrative correspondence scattered across the various series shows Printed Matter's philosophy, operations, and relationships to artists. Many early notes and minutes are in Sol LeWitt's handwriting. Among the names to be found in the files are former staff members Edith deAk, Mike Glier, Nancy Linn, Ingrid Sischy, and Nancy Princenthal; founders Sol LeWitt and Lucy Lippard; and contracted artists, such as Douglas Davis, Heidi Fasnacht, Jenny Holzer, Douglas Huebler, Louise Lawler, Richard Nonas, Martha Rosler, Ed Ruscha, Art Spiegelman, Michelle Stuart, Athena Tacha, and Lawrence Weiner.

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Dates:
1863–1872
Size:
111 Reels
Collection ID:
NMAAHC.FB.M1905
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 111 rolls of microfilm described in the NARA publication M1905. These digital surrogates reproduced the records of the staff officers of the Assistant Commissioner and the subordinate field offices of the Louisiana headquarters of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1863–1872. These records consist of bound volumes and unbound records containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1983
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1983
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Dates:
1909-1991
undated
Level:
series
Size:
3.6 Linear feet ((Boxes 1-4))
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

Correspondence found in this series is with both family members and business colleagues, reflecting both aspects of Cunningham's life. See Appendix for a list of notable correspondents from Series 2.

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Creators:
Margules, De Hirsh, 1899-1965
Dates:
1888-2001
bulk 1923-1965
Size:
5.5 Linear feet
Collection ID:
AAA.margde
Repository:
Archives of American Art

The papers of painter De Hirsh Margules measure 5.5 linear feet and date from 1888-2001, with the bulk dating from 1923-1965. The papers contain biographical material, and business and personal correspondence, including letters from Alfred Stiegliz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, and Myron Lechay. Also found are writings, printed material, scrapbooks, photographs, works of art and audio recordings documenting Margules' personal life and professional career.

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Creators:
Boatwright, Ruth Ellington, 1914-2004
Dates:
1923–1992
Size:
33 Cubic feet (77 boxes, 3 oversize folders)
Collection ID:
NMAH.AC.0415
Repository:
Archives Center, National Museum of American History

The collection consists of correspondence, appointment books, business records, music manuscripts, sound recordings, photographs, and ephemera documenting the activities of Duke Ellington and the management of Tempo Music, Incorporated. There is a small amount of material relating to the Ellingotn family.

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Creators:
Finch College. Museum of Art
Varian, Elayne H.
Dates:
1943-1975
bulk 1964-1975
Size:
20.9 Linear feet
Collection ID:
AAA.finccoll
Repository:
Archives of American Art

The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

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Dates:
1815-1942, undated
Level:
subseries
Collection ID:
AAA.pagewill
Repository:
Archives of American Art

Letters in this series include the personal and professional correspondence of William Page, his wife, Sophia Candace Stevens Page, and their families, as well as correspondence of Sophia Page's first husband Stephen Hitchcock and his family. William Page's correspondence is found from 1833 to 1885 only, with the bulk of his correspondence dating...

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Dates:
1865–1872
Size:
89 Reels
Collection ID:
NMAAHC.FB.M1911
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 89 rolls of microfilm described in the NARA publication M1911. These digital surrogates reproduced the records of the Tennessee field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. Included are the records of the offices of staff officers and subordinate field offices. These records consist of bound volumes and unbound records, including letters and endorsements sent and received, orders and circulars, monthly reports, and other records relating to freedmen's complaints and claims.

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