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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1708-1977
Size:
1,150 Cubic feet (approximately. Series 1 contains approximately 1108 cubic feet consisting of approximately 2050 boxes, approximately 326 oversize boxes, and map case material. Additional material in Series 2-4 is unquantified. With also, some digital images of select collection materials.)
Collection ID:
NMAH.AC.0060
Repository:
Archives Center, National Museum of American History

The Warshaw Collection consists of approximately 1,150 cubic feet of material currently contained in approximately 2,050 vertical document boxes, approximately 326 flat oversize boxes, 34 map case drawers of oversize materials, 56 volumes of photographic photo prints, 17 boxes of 4 x 5 color transparencies and black and white photonegatives, 11 box...

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Creators:
Manhattan Project (U.S.)
Dates:
1987-1990
Size:
29 videotapes (Reference copies). 75 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9531
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Johnson, Ellen H.
Dates:
1872-2018
bulk 1921-1992
Size:
60.3 Linear feet
Collection ID:
AAA.johnelle
Repository:
Archives of American Art

The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 60.3 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2004
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2004
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Dates:
1843-1940, undated
Level:
series
Collection ID:
AAA.kurtchar
Repository:
Archives of American Art

Charles M. Kurtz had a wide circle of friends and acquaintances that often overlapped his personal friends and professional colleagues with his career activities. Certain individuals whose names may not be particularly well known, such as the artists, D.F. Hasbrouck, William Morgan and Patty Thum, for example, were both personal and professional fr...

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Creators:
Bouché, Louis, 1896-1969
Dates:
1880-2007
Size:
5.9 Linear feet
Collection ID:
AAA.boucloui
Repository:
Archives of American Art

The papers of painter and muralist Louis Bouché measure 5.9 linear feet and date from 1880 to 2007. Found within the papers are biographical material; personal correspondence, including correspondence from the extended Bouché family; writings; financial records; printed material; four scrapbooks; artwork; and photographs of Bouché, his family and friends, and his work.

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Creators:
Okubo, Miné, 1912-2001
Dates:
circa 1940-2001
Size:
1.4 Linear feet
Collection ID:
AAA.okubmine
Repository:
Archives of American Art

The Roy Leeper and Gaylord Hall collection of Miné Okubo papers measure 1.4 linear feet and date from circa 1940 to 2001. Roy Leeper and Gaylord Hall were long-time friends with and patrons of Okubo from the late 1950s until her death. The collection contains letters, writings, and sketches by Okubo. Among the printed materials is a copy of the 1944 special edition of Fortune magazine which was sympathetic to Japanese Americans interned during World War II and for which Okubo was hired to illustrate. Also found are scattered documents relating to Hall and Leeper.

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Creators:
Anacostia Museum. Education Department
Dates:
1967-1989
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Record Unit 390
Repository:
Smithsonian Institution Archives

The records include incoming and outgoing correspondence and memoranda from Zora Martin-Felton and other staff of the Education Department, as well as program reports, budget justifications, and planning statements. These materials are scattered throughout the records and have many chronological gaps. The records also describe the development ...

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Creators:
National Museum of American History. Division of Political History
Dates:
circa 1946-1982
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 95-090
Repository:
Smithsonian Institution Archives

This accession consists of the records of Margaret Brown Klapthor, former Scientific Aide in the Civil Section of the Division of History, United States National Museum (USNM), 1944-1946; Assistant Curator of the Section of Civil History, in the Division of History, USNM, 1947-1948; Assistant Curator, 1949-1953, and Associate Curator, 1954-195...

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Creators:
Medellin, Octavio, 1907 or 1908-1999
Dates:
circa 1935-circa 1979
Size:
3.6 Linear feet
Collection ID:
AAA.medeocta
Repository:
Archives of American Art

The papers of Mexican born painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.

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