David Challinor served the Smithsonian Institution in an official capacity for 30 years, eventually becoming the assistant secretary to Sidney Dillon Ripley. Joan R. Challinor became an historian and advocate of library sciences and education. In 1956, however, they were busy with their young family. David only returned to university for graduate school in 1957, in his late 30s. They both went on to have successful careers and active family lives. This collection includes 7 home movie films that document thte Challinor family.

The papers of painter, printmaker, and art teacher Josef Albers date from 1929 to 1970 and measure 1.5 linear feet. Found within the papers are biographical materials, writings, a recorded lecture, and photographs. The bulk of the collection consists of printed materials.

Interview of Tony Vevers, conducted on August 25, 1998, by Robert F. Brown for the Archives of American Art, Smithsonian Institution, in Provincetown, Massachusetts.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Publishing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

101 Pottery Traditions / António Carlos Mosso Monteiro, Domingas da Moura, José Silva Tavares. 102 Cape Verdean Leadership: The Next Generation / Denese Gonçalves, Marlan Parte, Rochelle Perry. 103 Rural and Urban Funana / Ramiro Mendes, Simão Lopes, Zeca de Nha Reinalda. Harmonica,Keyboards (Music),Ferriño,Iron bar,Guitar. 104 Growing Up in Cap...

101 Ways of Our Grandmothers / Kiowa Singers, Mary Monture, Mary Ann Meanus. 102 Iroquois Women's Social Dance / Charlene Bomberry, Pat Hess, Sadie Buck. Drum. 103 Making Our Own Songs / Ulali (Musical group), Geraldine Barney, Pura Fé.

101 Ceremonial and Social Songs: Kiowa, Northern Plains Drum, Wasco / Kiowa Singers, Red Eagle Singers, Mary Ann Meanus. Hand drums,Drum. 102 Traditions Transformed: Ulali / Ulali (Musical group), Jennifer Kreisberg, Soni Moreno-Primeau. Hand drums,Rattle (Musical instrument).

- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last...

- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 55. [no neg.] Naqsh-i Rustam, Darius, Ni R Z. 41-49 rechts 4."

- Additional information from staff reads, "Squeeze No. 55: Lines 41-49, position not identified."

- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tom...

Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Achaemenid Tomb of Darius I

- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last...

- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 57. [no neg.] Naqsh-i Rustam. 42-48."

- Additional information from staff reads, "Squeeze No. 57: Lines 42-49, position not identified."

- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tom...

Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Achaemenid Tomb of Darius I

- Information from Roland G. Kent's 1953 publication reads, "DNb = Darius, Naqsh-i Rustam. The inscrition Naqsh-i Rustam B stands on the two sides of the door in the center of the crossbeam: Old Persian in the panel to its left, in 60 lines; Elamite, 43 lines, in the panel to the right, with an Aramaic version in 25 lines at the bottom; in the last...

- Additional information from Joseph Upton's Finding Aid reads, "Squeeze No. 56. [no neg.] Naqsh-i Rustam. 41-49."

- Additional information from staff reads, "Squeeze No. 56: Lines 41-49, position not identified."

- Additional information from Roland G. Kent's publication reads, "Some miles north of Persepolis, on the south face of a steep ridge known as Ḥusain Kūh or 'Mountain of Husain', there are four gigantic niches, cut in the shape of Greek crosses, and serving as entrances to the tombs lying in the rock behind them. The second from the east is the tom...

Naqsh-i Rustam (Iran): Squeeze of Inscription, DNb, Old Persian Version, on the Achaemenid Tomb of Darius I