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Creators:
Gellatly, John, 1853-1931
Dates:
1887-1931
Size:
0.2 Linear feet
Collection ID:
AAA.gelljohn
Repository:
Archives of American Art

The John Gellatly letters received from artists measure 0.2 linear feet and date from 1887 to 1931. Found within the collection are 120 letters to Gellatly from Emma and Abbott H. Thayer, Frederick S. Church, Irving Wiles, Albert Pinkham Ryder, C. E. S. Wood, and George Grey Barnard. Some of the letters contain sketches, particularly those from Church. Topics include the price and progress of artworks, requests for commissions, mutual friendships, and daily events. There are also two copies of the poem "The Flying Dutchman" by Albert P. Ryder.

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Creators:
American Ornithologists' Union
Dates:
1883-1977
Size:
47.11 cu. ft. (93 document boxes) (1 12x17 box) (3 oversize folders)
Collection ID:
Record Unit 7150
Repository:
Smithsonian Institution Archives

These records document the history, operation, and activities of the AOU, 1883-1977. For many years the papers were scattered in the hands of various officers until 1969 when the Committee on Archives was established. In 1974 the collection was brought together at the Smithsonian Institution. Among the records include those of Hoyes Lloyd, ...

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Creators:
Warner, Olin Levi, 1844-1896
Dates:
1857-1962
bulk 1857-1899
Size:
1.9 Linear feet
Collection ID:
AAA.warnolin
Repository:
Archives of American Art

The papers of sculptor Olin Levi Warner measure 1.9 linear feet and date from 1857 to 1962 with the bulk of the materials dating from 1857 to 1899. The collection documents Warner's art student days in Paris and his career as a sculptor, primarily in New York City. Found are scattered biographical materials and writings, including a speech by Warner about the Paris Commune of 1871; personal and professional correspondence; clippings, catalogs, and other printed material; sculpture project files; and photographs of Warner, his studio, his family, and notable figures who sat for him, including artist J. Alden Weir, and his artwork.

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Creators:
Eiseman, Alvord, 1916-1991
Dates:
circa 1914-2005
Size:
10.8 Linear feet
Collection ID:
AAA.eisealvo
Repository:
Archives of American Art

Alvord Eiseman's research on painter Charles Demuth dates from circa 1914-2005 and measures 10.8 linear feet. The collection is comprised of correspondence, writings, artwork files, printed material, and photographic material that were used in Eiseman's research toward a catalogue raisonné on Demuth.

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Creators:
True, Allen Tupper, 1881-1955
Dates:
1841-1987
Size:
8.2 Linear feet
Collection ID:
AAA.truealle
Repository:
Archives of American Art

The Allen Tupper True and True family papers date from 1841 to 1987 and measure 8.2 linear feet. The collection presents a good overview of True's personal life and and his career as mural painter and illustrator specializing in Western themes.

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Creators:
Chickering, Jonas, 1798-1853
National Museum of American History (U.S.). Division of Musical History
Dates:
1864 - 1985
Size:
16 Cubic feet (37 boxes)
Collection ID:
NMAH.AC.0264
Repository:
Archives Center, National Museum of American History

This collection consists of 51 volumes of Chickering & Sons piano registers, documenting piano production (May 1823-September 1985); correspondence related to the hundredth anniversary of Jonas Chickering's presidency of the Handel and Hayden Society; publications on the history of the Company and sales literature (1854-1984); newspapers articles a...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-6, 1969
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1969
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Collection of Fine Arts
Dates:
1908-1974
Size:
59 cu. ft. (1 record storage box) (116 document boxes)
Collection ID:
Record Unit 313
Repository:
Smithsonian Institution Archives

The records pertain to the administration of David W. Scott, director, 1965-1968, Robert Tyler Davis, interim director, 1969, and Joshua C. Taylor, director, 1970- . Some records, most noticeably correspondence with Smithsonian Art Commission members, have been pulled up into the files from previous administrations. Also included are Smithson...

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Creators:
United States National Museum. Division of Fishes
Dates:
1865-1941
Size:
7 cu. ft. (14 document boxes)
Collection ID:
Record Unit 213
Repository:
Smithsonian Institution Archives

This record unit includes correspondence of the division, 1865-1941; accession and distribution record books, 1882-1936; invoices on specimens, ca. 1895, 1911-1923; and related notes, lists and materials on fishes.

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Creators:
Hills, Patricia
Dates:
circa 1900-2015
bulk 1968-2009
Size:
23.1 Linear feet
Collection ID:
AAA.hillspat
Repository:
Archives of American Art

The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

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