8503 records — Page 779 of 824
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Creators:
Bracher, Maya
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The especially complex, tiered horizontal headdress is exceptional for its expression of pentup corporeal power. It gives compelling evidence that horizontal headdress were not modeled on a single animal found in nature but rather represent an abstract force expressed through an amalgam of zoomorphic features. Here the animal in the lower half, wh...

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Creators:
McCay, William Sutherland, d. 1948
Sodomka, Raymond R. Jr.
Sodomka, Raymond R. Jr.
Harris, Donald
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Level:
file
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

The folder includes worksheets and a magazine article.

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Creators:
Ottenberg, Simon
Dates:
1978-1980
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.

Original title reads, "Trip to the northern part of Wara Wara Bafodea, formerly the separate chiefdom of Kamuke. At Telia Village and farm villages around it. Its more Savanna- like than the area around Bafodea Town. Another house with triangular designs. This one a traditional round house. Such designs were scarce in Kamuke and Bafodea areas." [Ot...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The especially complex, tiered horizontal headdress is exceptional for its expression of pentup corporeal power. It gives compelling evidence that horizontal headdress were not modeled on a single animal found in nature but rather represent an abstract force expressed through an amalgam of zoomorphic features. Here the animal in the lower half, wh...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa play, Amuro village, Amuro players. Each village has its own players, although players may perform in other villages as well. The name of the mask is also the name for the entire dress. Ibibio mask, female. Generally one can tell the difference between male and female by the hair style." [Ottenberg field research note...

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts dancer wearing female ibibio mask and using the dark raffia ori costume. Players in the skits wear this mask to represent an adult woman or at other time a man, and okumkpa musicians sometimes use it as well. The name refers to the fact that Afikpo consider it of Ibibio design and origin. The carving is both purchased by Afik...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Mgbom Village Njenje masquerade players parading at Ndibe Village, Okposi slave trader, also called the Aro man. Alocho Uzo of Mgbom is the player. Masquerader is wearing an okpesu umuruma (frighten-children) or also called ihu ori (face-ugly) mask, often in Afikpo masquerades." [Ottenberg field research notes, September 19...

Publication caption reads, "Njenji parade player dressed as an Aro man, with okpesu umuruma mask."

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masked parade, which occurs in various villages, those of each community parading in their own and also in other villages. The rainy season festival day, iko okoci. They parade by age, generally, with some exceptions, from older to younger males by grades. Njenje is general term for this masquerade, and particularly ...

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Oje Ogwu ceremony presented on the eke day of 3 January 1960 in the main common of Ukpa Village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Oje Ogwu ceremony at Ukpa Village. Note the different styles of dresses. String netted masks. Musicians wearing the same, some with dry leaves, some with fresh ones, some with feathers, some without. Some use porcupine quills. Ebi is what dress called if wear porcupine quills, okpu ebuba (hat-feather) is what call other mus...

"Oje Ogwu is a play performed in only a few common villages each year. It is a net-masked dance of about thirty players accompanied by musicians also wearing net face coverings. Most of the Ezi Akane secret society members from the age group of boys and young men took part in the actual rehearsals and performances. The Oje Ogwu dance is simpler tha...

The photograph depicts erewe players, performing in the dancing area. The erewe players are the better and generally older dancers who perform individually as well as in the group. Their characteristic headgear consists of long, black feathers pointing out in different directions from the top of the head, which move about with some freedom. Intersp...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa play, Amuro village, Amuro players. Each village has its own players, although players may perform in other villages as well. The name of the mask is also the name for the entire dress. The assistant or second leader singing to the group sitting down, with an nne mgbo mask (mother-girl's name whose face supposedly loo...

Publication title reads, "An assistant leader standing in front of the chorus at the Amuro okumkpa in 1952."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts ori dancer with nne mgbo mask. Although it is occasionally worn at the okumkpa play with the dark raffia ori costume to portray a woman in one of the skits, it is also one of the favorite masks worn by young adult males, who come out and dance individually between skits and serve as an important and clearly male group. At the...

8503 records — Page 779 of 824