8503 records — Page 783 of 824
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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa play, Amuro village, Amuro players. Each village has its own players, although players may perform in other villages as well. The name of the mask is also the name for the entire dress. Two leaders (nnade okumkpa) facing one another and singing." [Ottenberg field research notes, O Series, December 1951-March 1953].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts two nnade okumkpa masks only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the Okonkwo dance presented on the the market day, aho, 9 January 1960 in the Eastern Igbo community of Oha Nwego Village, in neighboring Okpoha Village-Group. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okpoha Ngodo performance at Okpoha Village-Group, an Igbo village-group northwest of Afikpo, related to it historically. Dancing counterclockwise as usual for Igbo and other Africans. The mask is similar to the Afikpo mma ji (knife-ham) or mma ubi (knife-farm) except at Afikpo the top knife part is straight, here it is curv...

"Okonkwo, also called okpoha ngodo, is a dance of young adult men wearing wooden masks and costumes something like those of the akparakpa dancers in the okumkpa, who perform to the music of a xylophone, basket rattles, and in some cases a wooden gong. The xylophone (igeri or akware) is in the center of the common. Composed of nine boards, without c...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masked parade, which occurs in various villages, those of each community parading in their own and also in other villages. The rainy season festival day, iko okoci. They parade by age, generally, with some exceptions, from older to younger males by grades. Njenje is general term for this masquerade, and particularly ...

Publication caption reads, "Igri players dancing about in an njenji parade at Ndibe Village common."

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

The photograph depicts one of several dancers wearing the Afikpo form of the igri mask of madness and youthful exuberance. The whole headdress is called ngwu, after the leaf it is made of. In their left hands they carry a sticklike apparatus known as egede. The igri players draw attention to the line of wood-masked players that follow them.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masked parade, Ndibe Village, but with players from Mgbom. Sometimes called Okposi or Aro. The masquerader is Oluche Ozo of Mgbom. He represents a slave trader from Okposi Village group, an Igbo group, a famous slaving center, northwest of Afikpo at some distance. Okposi was strongly associated with the famous Aro Ch...

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masquerade parade, Mgbom village, players practicing at home then moving out to Amuro Village. Masqueraders dressed as lawyers. The one in the dark suit carries a business bag in left hand and a shooting stick in right, used in England to sit on when hunting. The handle opens up to a little seat." [Ottenberg field re...

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masquerade parade." [Ottenberg field research notes, September 1959-December 1960, Part I].

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. The two leaders sing to the chorus, or seated masquerade group, who respond." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Okumkpa play leaders singing to the chorus at Mgbom in 1960."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts nnade okumkpa masks only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two men...

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Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "An Ibibio masker dancing." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts dancer wearing female ibibio mask and using the dark raffia ori costume. Players in the skits wear this mask to represent an adult woman or at other time a man, and okumkpa musicians sometimes use it as well. The name refers to the fact that Afikpo consider it of Ibibio design and origin. The carving is both purchased by Afik...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Isiji initiation, apparently at amuro Village, Afikpo. The initiation into the village men's secret society of a man's eldest son. Other sons do a different initiation form as a rule. At this stage in the initiation the boys have been in the bush behind the tower-like structure for some days. They appear in public for the f...

Publication title reads, "Isiji players at the initiation of first sons in Ukpa Village."

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[ ]
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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa masquerade play, Amorie Village square. The masqueraders are from Amorie Village. The name of the mask is also the name for the entire dress. Okpesu umuroma (frighten-children)mask, also called ihu ori (face-evil)." [Ottenberg field research notes, O Series, December 1951-March 1953].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts Okepesu umuruma mask, also called ihu ori. Common to the okumkpa play, the okpesu umuruma is a favorite mask of the older players who, wearing the dark ori costume, dance individually betwen the skits and may also be actors. Okumkpa musicians sometimes wear an ugly mask. The mask stands for greediness and the self-interest of...

8503 records — Page 783 of 824