The folders include a work sheet, site plans, and copies of two articles.

10 digital images (2020).

Folder 1 Van Blankensteyn, C.F., & Company, Importers of German, French, & English Ladies' Dress and Mantilla Trimmings, New York, New York Folder 2 Van Buren & Churchill, New York, New York Folder 3 Van Doorn, M.T., & Son, Jobbers and Dealers in Crockery, Paper Hangings, Silver Plated Goods, Lamps and Chandeliers, Brattleboro, Vermont Folder 3 ...

Photographs, correspondence, appointment books, etchings, a scrapbook, printed materials, writings, and posters.

Selected material from the Lyme Historical Society's Lyme Art Colony Archives relating primarily to the activities of the Lyme Art Association and Lyme Art Colony (4.0 ft.) and including Florence Griswold's personal papers (0.4 ft.)

The papers of New York painter, Charles Cajori measure 7.3 linear feet and 0.070 GB and date from 1940-2015. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery that was located on the Lower East Side in New York through correspondence; writings and notes; interviews, talks, and panel discussions, one digitized, on art and artists; and printed materials. There is a 2.3 linear foot unprocessed addition to this collection donated in 2015 and 2021 that includes correspondence consisting of postcards from Barbara Grossman to Charles Cajori, 1967-1968, and condulences to Barbara regarding Cajori's death; writings; printed material and a sound recording relating to Charles Cajori and the Tanager Gallery; printed material regarding works of art and exhibition reviews; thumb drives and DVDs containing interviews, works of art, installations, Cajori memorial; photographs are of Cajori (several BW oversized), with family and friends, black and white and color photographs of works of art, events and exhibition installations, slides of works of art including masters, and three black and white photographs of Franz Kline and Willem de Kooning and Franz Kline's studio; biographical information; printed material; files regarding the New York Studio School and the conservation of paintings. Material dates from circa 1940-2015.

The papers of art collector Emily Hall Tremaine measure 8.9 linear feet, date from circa 1890 to 2004, and document the development of Tremaine's seminal collection of modernist, pop, and contemporary art. The papers comprise biographical material including a sound recording, personal correspondence, art collection files, artist files, exhibition loan files including a video recording, and reproduction request files. Also found are two scrapbooks documenting Tremaine's first marriage to Baron Maximilian von Romberg; and photographs of Tremaine, her family and friends, and works of art from her collection.

The Austin Merrill Mecklem and Marianne Greer Appel papers measure 5.0 linear feet and 0.035 GB and date from 1910-2006, with the bulk of the materials dating from 1928-1977. Correspondence, writings, drawings, printed and digital material, miscellaneous items and photographs document Mecklem as an artist, muralist and art instructor and Appel as an artist, puppet designer and author and illustrator of children's books. A significant part of Appel's papers consists of drafts of two illustrated children's books. There is an unprocessed addition of 3.6 linear feet donated in 2019 relating to Marianne Greer Appel including biographical material, correspondence, writings, rare published and printed material, photographs, and preliminary works of art.

Melford E. Spiro was a psychological anthropologist whose career included fieldwork on the Pacific Atoll of Ifaluk, on kibbutzim in Israel, and in Burma. His research topics included child rearing, cooperation, aggression, and supernatural beliefs. His papers, dated 1943-2003, primarily document these periods of fieldwork in relation to these topics. The collection consists of field notes, personality data and analysis, photographs, interview tapes and transcriptions, ephemera, subject card files, and research files. It also includes limited material related to his teaching and writings in the form of course outlines and research, lecture notes, annotated articles, drafts, and book reviews.

The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...