8501 records — Page 786 of 824
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Creators:
Ottenberg, Simon
Ottenberg, Simon
Dates:
between 1978-1992
Size:
3145 Slides (photographs) (color)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection primarily includes photographs of Limba peoples taken by anthropologist Simon Ottenberg during field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, and Guinea, from October 1978 through July 1980. The collection also includes photographs taken while conducting field research at an Afikpo village-group, in southeastern Nigeria, from January 30, 1988 to February 5, 1988 and in 1992.

Found In
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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The especially complex, tiered horizontal headdress is exceptional for its expression of pentup corporeal power. It gives compelling evidence that horizontal headdress were not modeled on a single animal found in nature but rather represent an abstract force expressed through an amalgam of zoomorphic features. Here the animal in the lower half, wh...

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Creators:
Ottenberg, Simon
Dates:
1978-1980
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.

Original title reads, "At Bafodea Town. Boys' pre-initiation dancing (gbondokali) Friday evening, both before dressed up and after dressed up. In front of Bafodea Chief's house. Boys have been to a bush area outside of Bafodea Town and have been dressed up by male helpers and carried back to the Chief's house where the crowd is waiting on the shoul...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Ndibe Village, women and children in village square, women carrying loads, probably coming from the farms. Raffia bamboo poles for house construction drying in the background." [Ottenberg field research notes, O Series,December 1951-March 1953].

"Raffia and bamboo groves, which are located in swampy areas or along stream banks, and whose products are mainly used in housebuilding and not sold for cash, are normally controlled by a single male lineage. They are considered by the Afikpo to be matrilineage, not personal, property. Mkpoghoro is also called Ndibe, though this term is more correc...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Njenje masquerade parade, Amuro Village players." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Masked couples in the njenji parade."

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Mgbom njenje parade players at Ndibe Village. Other players. Note the man in black with the shooting stick." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Njenje players wearing the mma ji mask, except for the center one, who wears an nne mgbo and carries a shooting stick."

"The most elaborate masquerade, njenji, presented as part of the four-day Dry Season Festival, Iko Okoci, is a parade of the young adult members through many of the communities of afikpo. The masked paraders walk in a line, arranged in an order of descending age. Many players are dressed in costumes that make them appear as females. Some walk side ...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. The oldest Akparakpa dancers, who are still quite young men." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts akparakpa dancers wearing mba masks. The akparakpa dancers sing as part of the chorus, and at set intervals in the play they come out and dance counterclockwise in a circle around the remainder of the chorus. The akparakpa are dressed to represent young, unmarried females. These boys and young men wear the mba costume and mba...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Skit, another dispute or case. Note Mgbom Village ward men's rest house with the peaked roof in the background. Elegant structures." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts ori players acting out a skit. They are the principal actors in the skits. They also come out and dance as individuals between some of the events. The ori are active singers in the chorus. They are experienced players, as a rule, having taken part in previous performances.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. Agbogho Okumkpa or girl's Okumkpa. This is the final scene of the play, when the 'queen' with the upa nwa (carry-child) mask comes out to dance around. Then the seated masqueraders rise and all leave in a group the direction they came in." [Ottenberg field research notes, Septemb...

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts Agbogho okumkpa player wearing the opa nwa mask. One of the young akparakpa dancers is dressed in more elaborate feminine style than the others and wears the opa nwa mask. Colored feathers are attached to the mask. Toward the end of the play, during the final dance called otite okome, he emerges as the 'Queen,' agbogho okumkp...

8501 records — Page 786 of 824