[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1930
Level:
item
Size:
1 Item (photographic print, b&w, 18 cm. x 24 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 18.1 cm. x 23.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The photo is of a stone-paste dish painted over glaze with luster, attributed to Kashan (Iran) of 1210 and in the Seljuq period. One of the inscriptions records that the plate was made by Shamsuddin al-Hasani Abu Zayd, an accomplished potter of the early thirteenth century. It is currently in collection of Freer|Sackler, the Smithsonian's museums ...

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass negative is broken with portions of the glass missing."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 35.1: Unknown, cracked." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 12.7 cm. x 17.7 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "A layer of varnish covers the face and the hand of the woman."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "476) Woman with chadur pitchah." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 18.2: Woman with chadur pitchah (#476)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution, Office of Exhibits Central
Dates:
1983, 1986-1990
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 96-085
Repository:
Smithsonian Institution Archives

These records consist of edited exhibition scripts, outlines, and designs for mostly Smithsonian Institution Traveling Exhibition Service (SITES); memoranda to and from other bureaus within the Smithsonian Institution; correspondence between curators and exhibition designers; drawings, sketches and architectural and electrical designs for...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, --.- cm. x --.- cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The photo is from a lithograph depicting the old Darcaza Dawlat or Dawlat gate and city walls of Tehran. The lithograph was published in Flandin, Eugène, and Pascal Coste. Voyage en Perse de mm. Eugène Flandin, peintre, et Pascal Coste, architecte, entrepris par ordre de m. le ministre des affaires étrangères, d'après les instructions dressées par...

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "the glass negative is broken."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 12.7: Iran. Photograph of etching: ? - Kasr-i Kajar. (Cracked)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 24 cm. x 17.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "A crack goes right through the middle of the glass. The emulsion seems to be attached."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "705."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "374."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "248) Musical instruments." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 34.8: Musical instruments (# 248)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1920
Level:
item
Size:
1 glass negative (b&w, 18 cm. x 13.3 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Brushworks visible on the faces of the women and on the central figure's right hand."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "1010."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1788."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "439) Zoroastrian family." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 21.6: Zoroastrian family (# 439)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 23.8 cm. x 18 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Piece of black paper on the back between the mountain and the edge."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "402."

- Scratched handwritten number (inked) reads, "757."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "104) Abi Garm on Damavand." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 43.9: Tehran. Damavand - Ali garm (#104)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1930
Level:
item
Size:
1 Item (photographic print, b&w, 24 cm. x 18 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "597."

- On verso of the print, handwritten number (penciled) reads, "38.5."

- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."

- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Bishapur; bas relief; Triple victory of Shapur I."

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, --.- cm. x --.- cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The bridge is the subject matter of the photo which has been taken from a position that allows for the whole structure to fir in the boundaries of the image. The figures on top of the bridge bring a sense of scale to the image. On top of the bridge there are two shadows in the same spot. There are of the same person moving. The same can be said ab...

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "433."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "165."