8501 records — Page 792 of 824
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Creators:
Elisofon, Eliot
Dates:
1967
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

A Lega village in Shabunda region,"The Lega village (kyumo) is traditionally built on a hill in a more or less natural clearing 'kilungulabo' of primary rain forest. It consists of two parallel rows (mikeke) of contiguous huts, a plan that creates an impression of longhouses. The open space (mulungu) between the two rows of houses serves as main st...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Bracher, Maya
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg at the okumkpa presented on the eke Sunday afternoon of 13 January 1952 in the main common of Amuro village. Dr. Ottenberg was conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Okumkpa play, Amuro village, Amuro players. Each village has its own players, although players may perform in other villages as well. The name of the mask is also the name for the entire dress. Akparakpa, the younger players, dancing." [Ottenberg field research notes, O Series, December 1951-March 1953].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts akparakpa dancers wearing mba masks. The akparakpa dancers sing as part of the chorus, and at set intervals in the play they come out and dance counterclockwise in a circle around the remainder of the chorus. The akparakpa are dressed to represent young, unmarried females. These boys and young men wear the mba costume and mba...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Reconstruction of the ancestral rest house (obu) in Ezi Akputa compound, Mgbom Village. Setting the pillars, obu construction." [Ottenberg field research notes, O Series, December 1951-March 1953].

"A short distance inside the compound entrance is the ancestral shrine of the lineage founder, Mma obu (ancestor-rest house), which also serves as a rest house and meeting place for the lineage elders, and near which is a small cleared area used for meetings and feasts. The founder's house is believed to have been located where the shrine stands an...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. Players first coming out as a group into the village square. The leader has an older Okumkpa leader's mask though he is not a main leader. He is called egwale, and is one of two men who sits down with the masked performers just near or in back of the musicians, who sit in front, ...

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Wagenia derive their fame as fisherman from the way in which they have turned the opportunities offered them by their natural environment to account. At the point where they live, the river narrows considerably and drops in a series of rapids and cataracts over a several metres high, hard rocky ledge which appears above the surface here. A spe...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Man taking ukie chi title, Ezi Ukwu compound, Ndibe Village. Compound ancestral rest house in front of which this part of the title takes place, Ezi Ukwu compound, Ndibe Village." [Ottenberg field research notes, O Series,December 1951-March 1953].

Publication title reads, "Ancestral shrine house (Mma obu), with Ibini okpabe shrine outside."

"A short distance inside the compound entrance is the ancestral shrine of the lineage founder, Mma obu (ancestor-rest house), which also serves as a rest house and meeting place for the lineage elders, and near which is a small cleared area used for meetings and feasts. The founder's house is believed to have been located where the shrine stands an...

8501 records — Page 792 of 824