8503 records — Page 807 of 824
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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 Glass negative (b&w, 23.8 cm. x 17.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"Dar al-Funun Institute was the first of its modern kind - institution of higher education in technology - in Iran. It owes its establishment - to a large extent - to Nasir al-Din Shah's teacher and chief minister, Mirza Taqi Khan Amir Kabir (b.1807-d.1852). It opened its doors in 1851 to cater, primarily, to the technological and medical needs of ...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Black paper on the back and black ink on the front."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "290."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "70) Scene of Teheran." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 48.8: Tehran, general view (#70)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1902-1905
Level:
item
Size:
1 Glass negative (b&w, 17.8 cm. x 23.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The photo depicts the tomb with a young boy sitting in the far end of the tunnel and in front of the entrance. The interior of this tomb is the most accessible amongst the six tomb structure of Sassanid empire." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "On the top side of the negative (emulsion side), Sevruguin emulated the texture of the stone and filled out the area with black ink that resembles the natural continuation of the stone wall in the image."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "569."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1650."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 30.11: (P) [black-and-white print on hand] Fars. Persepolis or Naqsh-i Rustam. Passageway." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1904
Level:
item
Size:
1 Glass negative (b&w, 11.6 cm. x 8.5 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"This complex contains the castle of Izad-khast (from Sassanid period), a caravanserai and a bridge of Safavid times. The works inside of the castle belong to different periods from Sassanids to Qajars. The castle of Izad-khast, built on a rock bed, has been resistant to decay and destruction because of its natural base. The photo depicts the struc...

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 1.4: Iran. Fars - Yazd-i Khwast." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 Glass negative (b&w, 23.8 cm. x 18.5 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"This complex contains the castle of Izad-khast(from Sassanid period), a caravanserai and a bridge of Safavid times. The works inside of the castle belong to different periods from Sassanids to Qajars. The castle of Izad-khast, built on a rock bed, has been resistant to decay and destruction because of its natural base. The photo depicts the struct...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "The area between the paper and the horizon line is filled with black ink. The glass negative is broken with lower right corner missing."

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass negative is broken with lower right corner missing."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "387."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 35.6: Unknown, cracked." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Orchard, William C.
Museum of the American Indian, Heye Foundation
Dates:
circa 1899-1937
bulk 1900-1902
Size:
27 Negatives (photographic) (black and white)
324 Photographic prints (black and white)
34 Lantern slides (color)
Collection ID:
NMAI.AC.001.020
Repository:
National Museum of the American Indian

The majority of the images are individual and group portraits of Southwestern tribes, photographed between 1900-1902, including Laguna Pueblo, Hopi Pueblo, Zuni Pueblo, Taos Pueblo, San Juan Pueblo, White Mountain Apache, Ute, San Carlos Apache, and Navajo Indians.

Found In
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Creators:
Homer, Winslow, 1836-1910
Dates:
1863, 1877-1945
Size:
0.2 Linear feet
Collection ID:
AAA.homewinl
Repository:
Archives of American Art

The Winslow Homer collection measures 0.2 linear feet with material from 1863 and 1877 to 1945. The collection documents Homer's career as a painter and lithographer through letters, printed material, family records, and photographs.

Found In
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Creators:
Novak, Barbara
McElhinney, James Lancel, 1952-
Dates:
2013 October 8-17
Size:
4 Items (Sound recording: 4 sound files (4 hr., 26 min.), digital)
89 Pages (Transcript)
Collection ID:
AAA.novak13
Repository:
Archives of American Art

An interview with Barbara Novak conducted 2013 October 8-17, by James McElhinney, for the Archvies of American Art, at Novak's home in Manhattan, New York.

Found In
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Creators:
Hall, Lee
Dates:
circa 1870s-2017
bulk 1975-2010
Size:
7.4 Linear feet
Collection ID:
AAA.halllee
Repository:
Archives of American Art

The papers of painter, author, and arts administrator Lee Hall measure 7.4 linear feet and date from circa 1870-2017, bulk 1975 to 2010. The papers document Hall's career through biographical material, correspondence, writings, studio records, printed material, photographic material, and artwork. Included is significant documentation on Hall's book projects, including biographies of Betty Parsons, Abe Ajay, and Willem and Elaine de Kooning.

Found In
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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1904
Level:
item
Size:
1 Glass negative (b&w, 9 cm. x 11.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"This complex contains the castle of Izad-khast (from Sassanid period), a caravanserai and a bridge of Safavid times. The works inside of the castle belong to different periods from Sassanids to Qajars. The castle of Izad-khast, built on a rock bed, has been resistant to decay and destruction because of its natural base. The photo depicts the struc...

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Dates:
1776-circa 1911, 1926-1972
Level:
subseries
Size:
38.2 Linear feet (Boxes 22-49, 87-92, 96, 101-105, 126-130, 132-137; OV112-OV115, OV125)
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

Source files compiled by topic, general subject, planned box or collage or "album" project, include a wide variety of materials. Subject source files document Cornell's artistic interests and work processes through notes, collected prints and engravings, collected book fragments, magazine and print collage cutouts, box and collage fragments, paint-...

8503 records — Page 807 of 824