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Creators:
JW Labs (Raleigh, North Carolina).
Katchian, Sonia
Dates:
1995
Size:
6 Cubic feet (23 items)
Collection ID:
NMAH.AC.0793
Repository:
Archives Center, National Museum of American History

23 color Cibachrome photoprints: portraits of farmers at the Carrboro Farmer's Market, Carrboro, North Carolina. Portraits made 1994 in a garage studio setup near the market, prints by JW Labs, Raleigh, North Carolina.

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Creators:
Blaine, Nell, 1922-1996
Dates:
1942-1985
Size:
2.9 Linear feet
Collection ID:
AAA.blainell
Repository:
Archives of American Art

The papers of painter Nell Blaine measure 2.9 linear feet and date from 1942 to 1985. Found are biographical material, scattered artwork, correspondence, writings, business records, printed material, and photographs. Also included are papers relating to the estate of Blaine's friend, Howard Griffin.

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Creators:
Adams, Ansel, 1902-1984
Cunningham, Imogen, 1883-1976
Adams, Virginia Best
Dates:
1966
Size:
2 Items
Collection ID:
AAA.cunnimog2
Repository:
Archives of American Art

The Ansel and Virginia Adams letters from Imogen Cunningham consist of two letters from Imogen Cunningham to Ansel and Virginia Adams. One letter is regarding the death of Charles Mayhew, the Adams' son-in-law; the other is regarding a Group f/64 meeting, a photography group organized by Ansel Adams.

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Creators:
Pulford, Florence
Dates:
1993
1968-1989
undated
Size:
722 Photographic prints
458 Slides (photographs)
2580 Negatives (photographic)
65 Sound cassettes
Collection ID:
NMAI.AC.027
Repository:
National Museum of the American Indian

The Florence Pulford collection includes both audio recordings and photographs that were made during the twenty years Pulford worked among Native American quilt makers in the 1970's and 1980's from Montana and the Dakotas. Quilt makers featured in this collection include; Ella First Kill Brown, Frances Weasel Woman Fox, Artie Crazy Bull, Almira Buffalo Bone Jackson and Regina Brave Bull.

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Creators:
Beirne, Barbara T.
Dates:
circa 1980s
Size:
0.1 Cubic feet (1 box)
Collection ID:
NMAH.AC.0356
Repository:
Archives Center, National Museum of American History

Twenty portraits, taken in the 1980s, of twenty-one men and women who were active in the civil rights and peace movements of the 1960s.

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Creators:
Wildenhain, Marguerite
Dates:
1930-1982
Size:
3.7 Linear feet
Collection ID:
AAA.wildmarg
Repository:
Archives of American Art

The papers of California ceramicist and educator Marguerite Wildenhain measure 3.7 linear feet and date from 1930 to 1982. Found within the papers are biographical sketches; correspondence with patrons, students, and colleagues, including Eugene Anderson, T. S. Eliot, and Gerhard Marcks; writings by Wildenhain and others; designs for pottery and other artwork; one scrapbook; news clippings, exhibition catalogs, and scattered printed material. Also found are photographs of Marguerite and Frans Wildenhain, Pond Farm, workshops, exhibitions,and artwork, as well as two film reels depicting Wildenhain lecturing and in her studio. There is a 0.3 linear foot unprocessed addition to this collection donated in 2020 that includes photographs and negatives of Wildenhain's works of art, circa 1960-1970, (many in the collection of Forrest L. Merrill or Luther College) taken by David Stone and photographs at Pond Farm, circa 1980. Additional photographs are of Wildenhain and her works of art, circa 1950 (possibly taken by Otto Hagel).

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Creators:
Stable Gallery
Dates:
1916-1999
bulk 1953-1970
Size:
2.9 Linear feet
Collection ID:
AAA.stabgall
Repository:
Archives of American Art

The Stable Gallery records measure 2.9 linear feet and are dated 1916-1999 (bulk 1953-1970). The gallery was known for its representation of the New York School. Records consist mainly of artist files containing biographical notes, correspondence, price lists, sales and payment information, printed matter, and photographs. A small number of gallery administrative and financial records are included, along with printed matter, photographs, and personal papers and estate records of gallery founder and owner Eleanor Ward. There are also reminiscences by gallery owner Eleanor Ward and her assistant Alan Groh, a sound cassette recording of Eleanor Ward, and a videoreel (1/2 inch) documentary of a 1973 Sotheby auction of works from the Robert C. Scull collection.

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Creators:
Halper, Nathan
Dates:
1952-1979
Size:
4.2 Linear feet
Collection ID:
AAA.halpnath
Repository:
Archives of American Art

Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.

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Creators:
Buchanan, Beverly, 1940-
Dates:
1912-2017
bulk 1970s-1990s
Size:
18.3 Linear feet
1.07 Gigabytes
Collection ID:
AAA.buchbeve
Repository:
Archives of American Art

The papers of African American sculptor, painter, and land artist Beverly Buchanan measure 18.3 linear feet and 1.07 gigabytes, and date from 1912 to 2017 with the bulk of the material dating from the 1970s to the 1990s. The collection contains biographical material; correspondence; writings; and exhibition and project files, including audiovisual documentation from Bernice Steinbaum Gallery/Steinbaum Krauss Gallery. Material related to professional activities; personal business records; printed material; scrapbooks; photographic material, including photograph albums; and artwork are also found in the collection.

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Creators:
Segalove, Ilene, 1950-
Dates:
1964-2017
Size:
4.4 Linear feet
6.06 Gigabytes
Collection ID:
AAA.segailen
Repository:
Archives of American Art

The papers of feminist, conceptual, video, and performance artist Ilene Segalove measure 4.4 linear feet and 6.06 gigabytes and date from 1964 to 2017. The collection contains a small amount of biographical material including resumes, certificates, and address lists; correspondence with family and friends; writings; and teaching files from the University of California, Santa Barbara. The bulk of the collection consists of project and exhibition files for both solo works and works in collaboration with Lowell Darling, and printed material. Also included are photographic materials such as snapshots of exhibition openings and slides of artwork; and artwork, primarily artist notebooks and video art.

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