16618 records — Page 925 of 1662
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Creators:
P. S. C. & Co., Capetown
Dates:
ca. 1970
Level:
item
Size:
1 Postcard (b&w, 14 x 9 cm.)
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original caption reads, "The Tunnel, Waterval-Boven, Eastern Transvaal"

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Creators:
P. S. C. & Co., Capetown
Dates:
ca. 1970
Level:
item
Size:
1 Postcard (b&w, 9 x 14 cm.)
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original caption reads, "Trek Ox-Waggon, crossing a Drift."

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Creators:
Sapsco Real Photo
Dates:
ca. 1970
Level:
item
Size:
1 Postcard (b&w, 9 x 14 cm.)
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original caption reads, "Crossing the River."

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Creators:
P. S. C. & Co., Capetown
Dates:
ca. 1970
Level:
item
Size:
1 Postcard (col., 9 x 14 cm.)
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original caption reads, "Trek Ox-Waggon, crossing a Drift."

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Creators:
Art Publishers, Durban
Dates:
ca. 1970
Level:
item
Size:
1 Postcard (b&w, 10.5 x 14.5 cm.)
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original caption reads, "Ricksha Boys."

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Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Alan Paton in Tree, Natal. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Alan Paton Next to Lighthouse, Natal. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are two 8x10 black and white fiber-based prints of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

16618 records — Page 925 of 1662