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Creators:
Stocksdale, Kay Sekimachi
Stocksdale, Bob, 1913-2003
Dates:
circa 1900-2015
Size:
19.5 Linear feet
0.125 Gigabytes
Collection ID:
AAA.stockbob
Repository:
Archives of American Art

The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

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Creators:
National Museum of the American Indian. Office of the Deputy Director
Dates:
1992-2005
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 10-186
Repository:
Smithsonian Institution Archives

This accession consists of project management and projects files created and maintained by Deputy Director Douglas E. Evelyn and pertain to specific National Museum of the American Indian projects, such as special exhibitions, digitization projects, and film festivals. Materials include correspondence, memoranda, exhibition schedules, rep...

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Creators:
WKAQ (Television station : San Juan, Puerto Rico)
WNJU (Television station : New York, NY)
Telemundo Group, Inc.
UnivisiĆ³n (Television network)
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Dates:
1940-2017
Size:
3.5 Cubic feet (27 boxes, 8 map-folders)
Collection ID:
NMAH.AC.1404
Repository:
Archives Center, National Museum of American History

The collection documents Spanish language television stations in America, and the Telemundo network.

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Creators:
Richard York Gallery
Dates:
circa 1865-2005
bulk 1981-2004
Size:
89.5 Linear feet
Collection ID:
AAA.richyorg
Repository:
Archives of American Art

The records of the Richard York Gallery, a New York gallery specializing in American art from early 1800s to 1950, measure 79.3 linear feet and date from circa 1865-2005, with the bulk of the material dating from 1981 to 2004. Three-fourths of the records are artists' artwork files, documenting the sale and consignment of nearly 6,500 works of art. The gallery's activities are also recorded through correspondence, client files, gallery invoices, inventories, business and financial records, printed materials, scrapbooks, photographic materials of artwork, and estate records for the John Marin estate and Sergio Stella estate (Joseph Stella). An addition of 10.2 linear feet, dated circa 1865 to 2005, includes artists' files arranged alphabetically containing printed material, clippings, exhibition announcements, and scattered correspondence and financial documents.

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Creators:
Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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Creators:
Shahn, Ben, 1898-1969
Dates:
1879-1990
bulk 1933-1970
Size:
24.8 Linear feet
Collection ID:
AAA.shahben
Repository:
Archives of American Art

The papers of social realist painter, photographer, illustrator, printmaker, and teacher Ben Shahn (1898-1969) measure 24.8 linear feet and date from 1879-1990, with the bulk of the material dating from 1933-1970. The bulk of the collection consists of over 14 linear feet of incoming letters from artists, writers, colleagues, publishers, art organizations, galleries, and universities and colleges. Also found are biographical materials, project and source files, printed material, artwork by Shahn and others, photographs taken of and by Shahn, interview transcripts, sound recordings of interviews and a motion picture film.

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Creators:
Curtis, Edward S., 1868-1952
Dates:
circa 1895-2001
bulk 1898-1951
Size:
86 Linear feet
Collection ID:
NAA.2010-28
Repository:
National Anthropological Archives

The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection ...

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Addison N., 1883-1964
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Dates:
1888-1996
Size:
200 Cubic feet
Collection ID:
NMAH.AC.0618
Repository:
Archives Center, National Museum of American History

The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, DC. Collection also includes business records and ephemera.

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Creators:
Porterfield, Jeanne
Chickering, Lisa
Dates:
1954-2015, undated
Size:
38 Film reels
7 Sound tape reels
5 electronic_discs_dvd
1 Videocassettes (U-matic)
5 Videocassettes (Digital Betacam)
67.86 Linear feet
18 Sound discs (vinyl)
4 Cassette tapes
Collection ID:
HSFA.2015.16
Repository:
Human Studies Film Archives

The Lisa Chickering and Jeanne Porterfield collection documents their work as travel filmmakers, photographers, and writers from 1954-2015. Their films are an example of the travel lecture film, a genre which combined silent travelogue films with live narration. Chickering and Porterfield presented their films throughout the United States and Canada in the 1960s and 1970s before turning to freelance still photography and travel writing in the early 1980s. The audiovisual and photography collection begins with their first joint travels in the 1950s and covers a range of their professional activities through the early 2000s, mainly encompassing original travel footage, edited travelogues, and travel still photography. Supporting documentation includes film scripts, lecture recordings, personal and professional manuscripts, financial and professional records, and a substantial amount of newspaper and magazine articles which serve as a record of the press generated by and about Chickering and Porterfield.

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Creators:
Adams, Molly, 1918-2003
Dates:
circa 1960-1994
Size:
0 Photographic prints (color, 4 x 6 inches)
0 Photographic prints (black and white, 3 1/2 x 5 inches)
0 Photographic prints (black and white, 8 x 10 inches)
0 Contact sheets (black and white)
35mm slides (photographs) (color, 2 x 2 inches)
0 Negatives (35mm negatives, color)
0 Negatives (black & white, 4 x 5 inches)
0 Negatives (120mm negatives, black and white, 2 x 2 inches)
0 Film transparency (color, 4 x 5 inches)
0 Transparencies (120mm transparencies, color, 2 x 2 inches)
Collection ID:
AAG.ADM
Repository:
Archives of American Gardens

The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.

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