16616 records — Page 961 of 1662
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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The park includes: part of Lake Edward (Lake Rutangize), the Semliki River valley, parts of the Rwindi, Ishasha and Rutshuru valleys south of the lake, the Virunga area within former Zaïre, and part of the Rwenzori (Ruwenzori) range. Lake Edward belongs to the Nile river system and Lake Kivu to the Congo Basin river system. Some of the largest wil...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The park includes: part of Lake Edward (Lake Rutangize), the Semliki River valley, parts of the Rwindi, Ishasha and Rutshuru valleys south of the lake, the Virunga area within former Zaïre, and part of the Rwenzori (Ruwenzori) range. Lake Edward belongs to the Nile river system and Lake Kivu to the Congo Basin river system. Some of the largest wil...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Due to a shared cultural background, common social and economic conditions and inherited building materials and techniques, slight variations distinguish the character of the majority of villages in the various regions of Egypt (Nubian villages in the south are an exception). The main vernacular types of building found in rural areas are houses of...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Due to a shared cultural background, common social and economic conditions and inherited building materials and techniques, slight variations distinguish the character of the majority of villages in the various regions of Egypt (Nubian villages in the south are an exception). The main vernacular types of building found in rural areas are houses of...

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[ ]
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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Wari is the best-known African variation of mancala; apart from West Africa, where it is thought to have originated, it is popular in the Caribbean and South America and reached North America and Europe through various commercial introductions. Wari boards in West Africa have attracted attention for their sculptured shapes. They often include a st...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Wari is the best-known African variation of mancala; apart from West Africa, where it is thought to have originated, it is popular in the Caribbean and South America and reached North America and Europe through various commercial introductions. Wari boards in West Africa have attracted attention for their sculptured shapes. They often include a st...

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Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Mbuti children are highly valued and are frequently passed from adult to adult to adolescent around the camp. Children therefore with so many caretakers available are quickly allowed free range of the camp." [Wilkie, D. S., 1988: Hunters and Farmers of the African Forest. University of California Press, Berkeley]. During his trip to Zaire (now Dem...

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Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"According to Patrick and Anne Putman, Mbuti art, both on the body and on bark cloth, is of purely aesthetic nature, without magical significance. Certain facial scarifications may indicate the membership of a clan. Elsewhere the design owes more to the artist's imagination than to any agreed subject." [Meurant G., Farris thompson R., 1995: Mbuti D...

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Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Mbuti maintain nomadic habits and renounce all material wealth. They are unique in that they hunt using round wooden bows and feathered arrows without metal tips, (they occasionaly obtain these from their neighbours). They alone use poison for their arrows. Both archers and net-hunters employ a very similar hunting strategy named 'mota,' where...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Mbuti maintain nomadic habits and renounce all material wealth. They are unique in that they hunt using round wooden bows and feathered arrows without metal tips, (they occasionaly obtain these from their neighbours). They alone use poison for their arrows. Both archers and net-hunters employ a very similar hunting strategy named 'mota,' where...

16616 records — Page 961 of 1662