16618 records — Page 964 of 1662
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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Wari is the best-known African variation of mancala; apart from West Africa, where it is thought to have originated, it is popular in the Caribbean and South America and reached North America and Europe through various commercial introductions. Wari boards in West Africa have attracted attention for their sculptured shapes. They often include a st...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Wari is the best-known African variation of mancala; apart from West Africa, where it is thought to have originated, it is popular in the Caribbean and South America and reached North America and Europe through various commercial introductions. Wari boards in West Africa have attracted attention for their sculptured shapes. They often include a st...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Wari is the best-known African variation of mancala; apart from West Africa, where it is thought to have originated, it is popular in the Caribbean and South America and reached North America and Europe through various commercial introductions. Wari boards in West Africa have attracted attention for their sculptured shapes. They often include a st...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The standing obelisks of Hatshepsut (at the rear) and Tuthmosis I in the Great Temple of Amun at Karnak. Each was originally one of a pair erected near what became the temple's core. Queen-king Hatshepsut donated four obelisks to the god amun at Karnak. Two have disappeared entirely, and of the two which were placed between the fourth and fifth py...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The standing obelisks of Hatshepsut (at the rear) and Tuthmosis I in the Great Temple of Amun at Karnak. Each was originally one of a pair erected near what became the temple's core. Queen-king Hatshepsut donated four obelisks to the god amun at Karnak. Two have disappeared entirely, and of the two which were placed between the fourth and fifth py...

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Creators:
Elisofon, Eliot
Dates:
1967
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Since Independence, the Democratic Republic of Congo has experienced a number of rebellions. The Popular Liberation Army, under Antoine Gizenga, waged an armed struggle against the central government during the eastern rebellions of 1960-67. More popularly known as "Simbas", the fighting force was composed of often drugged adolescents. Ten of thou...

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Creators:
Bracher, Maya
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The park includes: part of Lake Edward (Lake Rutangize), the Semliki River valley, parts of the Rwindi, Ishasha and Rutshuru valleys south of the lake, the Virunga area within former Zaïre, and part of the Rwenzori range. Lake Edward belongs to the Nile river system and Lake Kivu to the Congo Basin river system. Some of the largest wild animal con...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Vitshumbi, a fishing harbour on the south shore of Lake Edward (Lake Rutanzige), which is shallow, and has an impoverished fish fauna. The Marabou storks (Leptoptilos crumeniferus) frequent both aquatic and terrestrial habitats. They feed on any available animal matter, d...

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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Vitshumbi, a fishing harbour on the south shore of Lake Edward (Lake Rutanzige), which is shallow, and has an impoverished fish fauna. The Marabou storks (Leptoptilos crumeniferus) frequent both aquatic and terrestrial habitats. They feed on any available animal matter, d...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

During his trip to Congo (now Democratic Republic of Congo), Elisofon visited Vitshumbi, a fishing harbour on the south shore of Lake Edward (Lake Rutanzige), which is shallow, and has an impoverished fish fauna. The Marabou storks (Leptoptilos crumeniferus) frequent both aquatic and terrestrial habitats. They feed on any available animal matter, d...

16618 records — Page 964 of 1662