16618 records — Page 985 of 1662
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Creators:
Green, Edward C. (Edward Crocker), 1944-
Dates:
circa 1970-2016
Size:
8.12 Linear feet (20 boxes)
Collection ID:
NAA.2016-31
Repository:
National Anthropological Archives

The papers of Edward C. Green, circa 1970-2016, document his work as an applied medical anthropologist and research consultant focusing principally on the distribution and prevention of AIDS and sexually transmitted diseases in Africa and South America. Much of Green's research and policy focus lay in understanding indigenous health belief systems and instituting locally-designed approaches to major health concerns. The collection consists of correspondence, field diaries and typed research, sound recordings, photographs, and published reports and articles, including material from his dissertation research among the Matawai Maroons of Suriname.

Found In
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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

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Creators:
Elisofon, Eliot
Dates:
1959
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

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Collapse
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Expand
Creators:
Elisofon, Eliot
Dates:
1959
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

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Expand
Creators:
Elisofon, Eliot
Dates:
1959
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

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Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Transkei Woman Decorating Her Face, 1947. The photograph is taken from the side of the woman. She is looking at herself in a small circular compact and is putting white clay on her face. The clay is either found by the river or is produced from scraping a soft white stone. She has painted her lips with black nicotine, which is scraped out of the st...

In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print and 6x6 contact print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 copy negative ((silver gelatin)., b&w, 4 x 5 in.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 4 x 5 in.)
1 Photographic print ((vintage print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Transkei Woman Decorating Her Face, 1947. She is sitting in front of a wall of a homestead with her left hand on her right eye applying white clay around the eye. This clay is obtained from the river or by scraping a soft, white stone. She paints her lips with the black nicotine, which is scraped out of the stem of a clay pipe. She is wearing a hea...

In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.

There is one 8x10 black and white vintage print. There is one 4x5 black and white copy negative as well as one copy print of that 4x5 negative. The original 6x6 cm. black and white negative is missing. EEPA has not produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Transkei Mother and Child, 1947. The mother is sitting in front of a wall with her child in her lap. Beside her is a cactus. She is wearing white clay around her eyes. This is made by scraping a soft white stone or the clay can be obtained from the river. She is also wearing a head wrap, necklace, and cloth wrapped around her. The child is wearing ...

In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.

There are five 8x10 black and white fiber-based prints of this negative in the Constance Stuart Larrabee Collection. One of these is signed by Constance Stuart Larrabee. EEPA produced an 8x10 study print and 6x6 contact print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1947
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Transkei Mother and Child, 1947. The mother is sitting in front of a wall with her child in her lap. She is looking at the child's hand. Beside her is a cactus. She is wearing white clay around her eyes. This is made by scraping a soft white stone or the clay can be obtained from the river. She is also wearing a head wrap, necklace, and cloth wrapp...

In 1947, Constance Staurt Larrabee visited the Transkei. She was there researching the housing problems in Southern Africa.

There is one 8x10 black and white fiber-based print of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print and 6x6 contact print for reference purposes.

16618 records — Page 985 of 1662