The papers of jeweler Irena Brynner measure 14.2 linear feet and date from circa 1914 to 2003. The papers document Brynner's career as a jeweler in California and New York through biographical material including sound recordings of her diary; correspondence with family, friends, and art organizations; diaries, notebooks, and other writings; exhibition announcements, news clippings, and other printed material; photographs and slides; artwork including eight sketchbooks; and eleven scrapbooks.

The papers of art dealer Ruth Teschner Costantino measure 0.4 linear feet and date from 1923 to 1981. The collection includes biographical material, photographs, writings, correspondence, financial records, and printed material.

The papers of fiber artist and painter Lia Cook measure 5.9 linear feet and date from 1968 to 2012. Cook's career and exhibition activities are documented through biographical material, correspondence, professional files, gallery and exhibition files, printed material, photographs, and artwork.

The papers of wood engraver Timothy Cole date from 1883-1936, and measure 0.5 linear feet. Found within the papers are letters primarily written by Timothy Cole to the editors of Century Magazine, and letters to Cole from colleagues Gifford Beal, Alice Brown, George de Forest Brush, Kenyon Cox, David Finney, Helen C. Frick, Joseph Pennell, Caroline Powell, John Singer Sargent, and Helen M. Turner. Also found are miscellaneous writings, artwork including wood engravings and printing plates, miscellaneous clippings and a photograph of Cole and his wife.

The papers of painter, printmaker, and educator Enrique Chagoya measure 0.8 linear feet and date from 1990 to 1995. The collection includes four dossiers compiled by Chagoya for evaluations of his professorship at California State University in Hayward, California. The dossiers contain resumes, student evaluations, correspondence, exhibition announcements and catalogs, clippings, transparencies of artwork, class syllabi, lists of accomplishments as an educator, and lists of exhibitions.

The records of C.G. Sloan & Co. measure 0.8 linear feet and include 117 auction catalogs dating from 1893 to 1963.

The papers of curator Riva Castleman measure 10.6 linear feet and 7.83 GB, and date from 1930-2013 with one printed item dating from 1871. The collection contains biographical material, correspondence including mail art, writing project files, notebooks, interviews, project files, printed material, photographic material, and artwork. The collection richly documents Castleman's writing and research process and contains dozens of manuscripts for books, catalogs, and essays, as well as related correspondence and research including audio interviews and sound recordings. Several of Castleman's books about contemporary printmaking, such as Prints of the 20th Century (1976) and American Impressions (1985), are extensively documented, as are many of the catalogs she produced to accompany Museum of Modern Art exhibitions, including Jasper Johns: A Print Retrospective (1987) and The Prints of Andy Warhol (1990). Some records are in born-digital form including correspondence, manuscript drafts, and audio conversations with Tatyana Grosman. Other interviews are on sound cassettes.

The records of Chaloner Prize Foundation measure 4.0 linear feet and date from 1915 to 1974. The records consist of the files of the two Secretaries, George F. Lewis and S. LeRoy French, and four of the Trustees, Charles Platt, William Rand, Olin Dows, and William Platt. Included within these records are correspondence, lists, files on award recipients, and three scrapbooks maintained by Dows. Also found within the collection are legal records, printed material, and financial records.

The papers of art history professor and collector Eugene Carroll (1931-2016) measure 1.8 linear feet and date from 1955-2015. The collection documents Carroll's interest in particular artists as a historian, a collector, and in a few instances, a friend. Carrol maintained a decades-long correspondence with artists Jacqueline Gourevitch and Marcia Marcus, and dozens of letters, postcards, and photographs in the artists files document those relationships. The collection contains a few published audiovisual CDs and DVDs and one sound cassette pertaining to the artists. Scant material relates to Carroll's tenure at Vassar College, and no material is found regarding Carroll's chief research interest, Rosso Fiorentino.

The papers of painter, printmaker, and educator Eduardo Carrillo measure 3.8 linear feet and date from circa 1953-1999, with the bulk from 1975-1997. The collection is comprised primarily of artwork and teaching materials, along with some biographical material. Biographical material includes birth and marriage certificates, writings by Carrillo and others, a portrait photograph, documentation of properties and building projects in Mexico, and some miscellaneous correspondence. Also included are obituary and memorial materials including a digital video recording documentary about Carrillo. Professional files include documentation of courses taught by Carrillo on Mexican art history, as well as educational exhibitions and films he produced, and studio documentation. Subject files on various topics in Mesoamerican Art support Carrillo's teaching of Mexican Art History. Printed materials include invitations catalogs and posters for exhibitions of Carrillo's work as well as his extended community of artist friends. The Artwork series includes early career and student artwork by Carrillo, along with original posters and a printing plate by Carlos Cortez, and artwork by friends and students.