The Harlem on My Mind exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.

The papers of African American abstract painter Sylvia Snowden measure 1.7 linear feet and date from 1962 to 2017. The collection contains biographical material, including recorded interviews with Snowden; correspondence; material related to professional activities, including exhibitions and symposia; printed material; and photographic material, as well as one sketch.

Papers compiled by Adams relating to lithographs produced by the Kellogg family lithographers of Hartford, Conn., including a bibliography prepared by Adams of sources for the study of the lithographs; a 2 p. transcript of an interview with William Bulkeley, President of the Kellogg & Bulkeley Co., about the thematic content of the lithographs; and...

The papers of sculptor and design teacher Costantino Nivola measure 2.1 linear feet and 12.18 GB and date from circa 1938 to 2009, bulk 1950 to 1980. The papers document Nivola's career in Italy and New York through biographical material, correspondence, writings, professional activities, project files, printed material, photographs, and audio-visual recordings in digital format.

The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 Gb and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.

The records of Owen Gallery measure 9.4 linear feet and 0.093 GB and date from 1929-2010, bulk 1980-2010. The gallery, which operated from 1986 to 2009 in New York, specialized in late nineteenth and early twentieth century American art with an emphasis on The Eight, Ashcan, and early American modernism. Michael Owen and James Yost owned and directed the gallery. Found within the records are exhibition files; inventory and sales records; printed and digital material; and records regarding painter Yasuo Kuniyoshi. Material dating from before 1986 when the gallery was established is research related to an artwork's provenance.

The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.

This microfilm collection consists of papers compiled by Milton Morriss James on African American artists Laura Wheeler Waring and Henry Ossawa Tanner, as well as on artist Julius Bloch. The compiled papers related to Laura Wheeler Waring include correspondence (1923-1946) regarding commissions, exhibitions, honorary positions, and activities rela...

An interview of Virginia Zabriskie conducted 1975 May 28-June 6, by Paul Cummings, for the Archives of American Art.

Blueprints of Wyndston, the Frederick C. Stevens house in Manchester, Massachusetts.