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Creators:
Neff, Tom, 1953-
Dates:
1990-1993
Size:
11 Linear feet
Collection ID:
AAA.nefftom
Repository:
Archives of American Art

Audiovisual materials relating to the documentary Beatrice Wood: Mama of Dada measure 11 linear feet and date from 1990 to 1993. Records include sound recordings, motion picture film outtakes, transcripts, production notes, lab records of the film production, and video recordings of the completed documentary.

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Creators:
Semmel, Joan, 1923-
Dates:
1949-2013
bulk 1960-2013
Size:
5.9 Linear feet
Collection ID:
AAA.semmjoan
Repository:
Archives of American Art

The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist, and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.

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Creators:
Lanyon, Ellen
Dates:
circa 1880-2014
bulk 1926-2013
Size:
62.6 Linear feet
Collection ID:
AAA.lanyelle
Repository:
Archives of American Art

The papers of artist Ellen Lanyon measure 62.6 linear feet and date from circa 1880-2014, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and electronic records, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York. Correspondence with artists and friends make up a significant portion of the collection. Project and exhibition files reflect her professional and artistic career. Thousands of slides and photographs document her life and artwork over seven decades, and over seventy sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings.

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Creators:
Kozloff, Max
Dates:
circa 1950-2015
Size:
1.4 Linear feet
Collection ID:
AAA.kozlmax
Repository:
Archives of American Art

The papers of art critic and photographer Max Kozloff measure 1.4 linear feet and date from circa 1950-2015. The collection provides a glimpse into the work life of a prolific twentieth century American art critic through biographical material, correspondence with artists and critics, interviews, many unpublished writings, and printed material.

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Creators:
Holly Solomon Gallery
Dates:
circa 1948-2003
Size:
200.6 Linear feet
Collection ID:
AAA.hollsolg
Repository:
Archives of American Art

The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed materials, photographic materials of artwork and exhibitions, sound, video, and film recordings, and scattered electronic records. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.

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Creators:
Wurm, Jan
Dates:
1966-2013
Size:
2.7 Linear feet
Collection ID:
AAA.wurmjan
Repository:
Archives of American Art

The papers of painter, educator, and curator Jan Wurm measure 2.7 linear feet and date from 1966 to 2013. The collection provides a range of documentation of Wurm's career, highlighting her many exhibitions and instructional courses in the Berkeley, California area. Also found are thirty self-published books of Wurm's artwork, fifteen sketchbooks, and several photographs.

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Creators:
Scull family
Dates:
1953-1996
Size:
1 Volume (1 volume, circa 300 items on 1 microfilm reel.)
Collection ID:
AAA.sculfami
Repository:
Archives of American Art

The Scull family scrapbook dates from 1953-1996 and comprises approximately 300 items including photographs, newspaper and magazine clippings, exhibition announcements and catalogs, and other printed material regarding the artwork and public appearances of Haydée, Sahara, and Michael Scull.

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Creators:
Oliva, Tomás, 1930-1996
Dates:
circa 1969-1996
Size:
0.2 Linear feet
Collection ID:
AAA.olivtoma
Repository:
Archives of American Art

This small collection of papers of Cuban born sculptor and painter Tomás Oliva measure 0.2 linear feet and date from circa 1969-1996. Found among the papers are a chronology; life documents; exhibition catalogs, including one from the 1993 exhibition of three of the original Los Once Cuban artist's group forty years after their first exhibition in Havana; one letter from Cyndee Levy-Angulo; notes and poetry; a photograph of Oliva with José Antonio Díaz Peláez; photographs of sculpture, two sketchbooks; and loose sketches and doodles.

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Creators:
Riverón, Enrique
Dates:
1918-1990s
Size:
3.3 Linear feet
Collection ID:
AAA.riveenri
Repository:
Archives of American Art

The papers of Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.

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Creators:
Nanao, Kenjirō, 1929-2013
Dates:
circa 1885-1887
circa 1949-2017
Size:
11.3 Linear feet
0.706 Gigabytes
Collection ID:
AAA.nanakenj
Repository:
Archives of American Art

The Kenjilo Nanao papers measure 11.3 linear feet and date from circa 1885-1887 and circa 1949-2017, with the bulk of the papers dating from 1970 to 2000. Biographical material includes forms of international identification, travel documents, early academic writing on art, and interviews in the form of written typescripts and digital audio recordings. Correspondence is mostly personal between friends and family, in addition to a few folders of professional correspondence spanning Nanao's career. Correspondence drafts also appear as entries in bound journals. The Journals series includes bound journals of mixed content such as thoughts on art, to-do lists, and artwork in various media including watercolors and charcoal. Professional files include various professional portfolios that Nanao produced for the purpose of tenure review, a binder detailing relationships with various galleries, and various teaching materials and studio documents. Printed materials include exhibition catalogs, invitations, and clippings. Photographs are primarily of family and friends, with some images of artwork and exhibitions. Artwork includes sketchbooks, as well as some loose drawings and watercolors.