Three letters from Hugh Samson to Clyde Hart regarding sculptor Augusta Savage, written in response to Hart's query in the New York Times for information for a proposed biography on Savage (never realized). Samson recalls his friendship with Savage in New York in the late 1930s; her experiences as a Black woman artist and the racism she encountered; her studio in Harlem; and her eventual decline into obscurity.

An interview of Adrian Piper conducted by Josephine Withers, 1991 [month and day unidentified]. Withers conducted the interview as part of her research for an unpublished book Musing about the Muse.

The Marcel Breuer papers, 1920-1986, contain biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document the career of architect and designer Marcel Breuer.

The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.

The Howard Kottler papers measure 11.6 linear feet and 0.014 GB and date from circa 1907-2006. Included are biographical materials consisting of copies of Kottler's biography, curriculum vitae, a 1948 year book from Cleveland Heights High School, diplomas and awards, and a 1988 calendar with notations by Kottler; correspondence with friends, family, and associates, including Arna Goffe, Gwen-Li Goo, Lauren Grossman, Judith Schwartz, Patti Warashina and others; writings including Kottler's doctoral dissertation, "An Exhibition of Pottery in Support of Three Processes in Ceramics"; artist, institutional, and teaching files consisting of the University of Washington, the Tacoma Art Museum, the Watershed Center for Ceramic Arts, and the Garth Clark Gallery as well as inventory lists, sales records, banking records, digital documents and correspondence relating to the establishment and business conduct of the Howard Kottler Charitable Trust; photographs, digital photographs, slides and negatives of Kottler and his work; audiovisual material including 27 audio cassettes of interviews with Kottler, circa 1988-1989, by Patricia Failing who wrote the book "Howard Kottler: Face to Face", Univ. of Washington, 1995, 35 mm reel stills of Kottler's "American Gothic", 1/4 in. sound recording labeled Exp 1 first; and few unidentified beta, VHS and cassette tapes; and printed material consisting of comic books, newspaper clippings, exhibition announcements, catalogs, posters and craft periodicals featuring Kottler.

The Francis Davis Millet and Millet family papers measure 3.3 linear feet and are dated 1858-1984, with a few scattered early eighteenth-century items, such as legal documents and printed matter. The bulk of the materials dates from 1858 to 1955. Found are biographical materials, diaries/journals, family letters, notes and writings, art work, printed matter, miscellaneous records, and photographs documenting Millet's wide-ranging artistic and writing career and personal life, including his death aboard the Titanic. Also of interest are approximately twenty ink caricatures attributed to John Singer Sargent.

An interview with Robert Blair conducted 1994 November 30-1995 August 27, by Robert Brown, for the Archives of American Art.

Administrative records pertaining to Denys Peter Myer's WWII service including war damage reports of the Wurzburg Residence in Germany that he was tasked to inspect, and seven essays written by Myers while at Columbia University on the subject of art history.

Notes kept by Reep while assigned to the Italian Front during World War II, November 6, 1944 - May 2, 1945; and a letter from Reep to E. Maurice Bloch, September 25, 1962.