The papers of New York painter, calligrapher, and educator, Nanae Momiyama measure 3.0 linear feet and date from 1928-circa 2000, with the bulk of the materials dating from 1948-1990s. The collection traces Momiyama's career as a first wave post-World War II Japanese-American artist through biographical material, correspondence, writings and notes, business records, printed material, scrapbooks, sketches and sketchbooks, and photographs.

The records of the National Association of Women Artists measure 1.6 linear feet and date from 1926 to 1971. Found are administrative and membership records from the 1960s, exhibition records, printed material, and three scrapbooks. The bulk of the collection consists of catalogs and correspondence regarding the Association's annual exhibition from 1926 to 1971.

Bryson Burroughs photographs of artwork measure 0.6 linear feet and date from circa 1935 and circa 1983. The collection consists of glass plate negatives and copy prints of artwork, primarily paintings, by Burroughs.

The papers of jeweler Irena Brynner measure 14.2 linear feet and date from circa 1914 to 2003. The papers document Brynner's career as a jeweler in California and New York through biographical material including sound recordings of her diary; correspondence with family, friends, and art organizations; diaries, notebooks, and other writings; exhibition announcements, news clippings, and other printed material; photographs and slides; artwork including eight sketchbooks; and eleven scrapbooks.

The papers of New York sculptor Enid Yandell, measure 1.5 linear feet and date from circa 1890-circa 1901, with photographic prints from 1986. The collection is comprised of glass plate negatives including ten images of Yandell in the studio, thirty-five images of her artwork, including Pallas Athena and the Carrie Brown Memorial Fountain in Providence, Rhode Island, and one image of Daniel Chester French, Elihu Vedder and possibly Lorado Taft. Photographic prints of the negatives, created in 1986, are also found in this collection.

The sixty-nine glass plate negatives of marine painter William Edward Norton (1843-1916) measure 0.42 linear feet and date from circa 1880 and include one image of Norton, and images of unidentified women and children, presumably members of Norton's family. Other negatives are of boats and sailing ships or show buildings and river and street scenes; two images are of paintings of ships. Also found is a folder of contact sheets, circa 1990, made from sixty-five of the negatives.

The papers of studio assistant Andre Thibault/Teabo regarding African American painter Romare Bearden measure 0.9 linear feet and date from circa 1930s to 2003 with the bulk of the material dating from 1980 to 1998. The papers consist of administrative records such as financial and gallery records. Correspondence includes letters from Romare Bearden, his wife Nanette and Andre Thibault. Of note is correspondence between Thibault and Nanette concerning the signature on a Bearden painting. Printed material includes exhibition catalogs, posters, magazines, art books and source material used by Bearden. Artwork consists of a self-portrait, a sketchbook, collage pieces, and oversize drawings by Bearden. Photographic material is comprised of photographs of Bearden, his art, studio, Andre Thibault/Teabo, Russell Goings and others.

The records of the Long Point Gallery measure 7.1 linear feet and date from 1959 to 1999, bulk 1976 to 1998. The collection documents the history of the gallery through administrative records, guest books, correspondence, exhibition files, artists' files, financial records, printed material, and photographic materials.

55 Mercer Artists, Inc. records, 1939-2007, bulk 1970-2007, measure 5.1 linear feet. The records, which are incomplete with sizeable gaps, consist of administrative records, exhibition files, artists' files, financial records, scrapbooks, guest books, and printed material that document one of the most successful and long lived artist run cooperative galleries in SoHo. The only item pre-dating 55 Mercer Artists, Inc. is a 1939 newspaper clipping in the artists' files.

The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.