Letters to Deitch from Beatrice Wood and others; photographs of Wood; a scrapbook and printed material concerning Wood; Wood's autobiography "I Shock Myself (1985)" and miscellany.

The papers of multimedia artist and filmmaker Linda Freeman measure 32.9 linear feet and date from 1971-2015, with the bulk of the material dating from 1990-2011. The collection primarily consists of the production archives of Freeman's video documentary production company L and S Video, producer of 27 short subject documentaries on contemporary American art and artists. Subjects include Emma Amos, Benny Andrews, Romare Bearden, Charles Burchfield, Elizabeth Catlett, Chuck Close, Robert Colescott, Jimmy and Max Ernst, Red Grooms, Jacob Lawrence, Richard Mayhew, Howardena Pindell, Horace Pippin, Faith Ringgold, and Betye and Alison Saar. Additional documentaries on subjects other than single artists include works on Luba artists of Central Africa, the creative process (on Freeman and five other artists featured in other documentaries in the collection), mixed media artists (on Alvin Loving, Flo Oy Wong, and Alison Saar), self-taught artists (on William Hawkins, Bill Traylor, and Grandma Moses), and a six-part series on art subjects for children called I Can Fly.

Research material consisting of audio visual material and printed material gathered by Donna Stein for her work on the Helen Lundeberg Catalogue Raisonne. Audio visual material includes seven VHS video recordings of raw footage of interviews with Lundeberg conducted for the video "Helen Lundeberg-American Painter, 1987"; nine audio cassettes of int...

An interview with Laurie Simmons conducted 2017 May 25 and September 27 by Christopher Lyon, for the Archives of American Art, at Simmons' home and studio in Brooklyn, New York.

The Clayton Bailey papers measure 34.8 linear feet and date from circa 1960-2020. Included are slides of works of art and family photographs; teaching material; correspondence; sketches; printed material including catalogs, newspapers, magazines and other material related to the funk art movement and Bailey. Also included are over one hundred DVDs...

An interview of Emil J. Bisttram conducted by Sylvia Loomis on 1963 October 17 for the Archives of American Art New Deal and the Arts Project.

An interview of Harry Bonath conducted by Dorothy Bestor on 1965 April 3 for the Archives of American Art.

The papers of Boston portrait painter Marie Danforth Page measure 5.9 linear feet and date from 1867 to 2016. The papers document her career in Boston, Massachusetts, through biographical material, correspondence, subject files, personal business records, printed material, artwork, and photographic material.

The exhibition catalogs of the Memorial Art Gallery measure 1.0 linear feet and date from 1913 to 1962. The catalogs are for exhibitions held at the Memorial Art Gallery, 1913-1962, including the Inaugural Exhibition. Incomplete runs of annual exhibitions of the Rochester International Salon of Photography, 1929-1958, the Rochester Camera Club, 1943-1950, the Rochester Finger Lakes Exhibitions, 1938-1958, and the National Ceramic Exhibition, 1938-1952, are also included, as is the publication MEMORIAL ART GALLERY IN ROCHESTER, published in 1924 to commemorate the enlargement of the Gallery. In addition, there are several catalogs with no apparent connection to the Memorial Art Gallery. The Gallery regularly exhibited the Rochester Art Club, and featured many modernist painters in its exhibitions.

The papers of sculptor and site-specific installation artist Elyn Zimmerman measure 34.98 linear feet and 1710.223 gigabytes, and date from 1969-2017. The collection documents the artist's life and work through correspondence, writings, project and commission files, exhibition files, teaching files, and printed material. Project and commission files comprise the majority of the collection at 18.2 linear feet and comprehensively document dozens of Zimmerman's site-specific sculptural projects and proposals for public and private sites across the United States and internationally. Items include correspondence, contracts, photographs, models, blueprints, and original sketches and drawings. The papers include a small number of born digital records, including digital images of projects, construction sites, and floorplans, as well as PowerPoint presentations. There is a 6.48 linear foot and 1710 gigabyte unprocessed addition to this collection donated in 2021 that includes biographical information, interviews, subject and project files, exhibition files and lists, photographs, writings, videos, and preliminary works of art. The addition predominantly documents the comprehensive photographic documentation of Zimmerman's works and extensive preparatory drawings. Materials date from circa 1967-2019. A portion of the addition includes born digital material.