The papers of ceramist William P. Daley measure 15.2 linear feet and date from 1905-2004 (bulk 1951-2001). The collection documents Daley's career as both artist and teacher through biographical information, correspondence, exhibition files, project files, material on workshops, seminars, and lectures, teaching files, artist files, reference files, printed material, photographs, financial files, and artwork.

The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.

Letters to Daniel Wadsworth, founder of the Atheneum Gallery and one of Cole's patrons. Cole writes about New York City, the White Mountains of New Hampshire, his family, and technical aspects of painting.

The papers of painter and educator Jean Cohen measure 0.8 linear feet and date from 1935-2012. The collection consists of limited biographical material, a small amount of printed material, photographs of family and friends including Cohen's former husband, painter, Alex Katz, and a long correspondence with painter, Lois Dodd.

The papers of New York painter William Clutz measure 3.1 linear feet and date from 1930-2016. The collection consists of biographical material, correspondence, personal business records, printed material, photographic material, artworks, and twelve sketchbooks which illuminate the career and artistic development of Clutz, a painter known for depictions of figures in urban settings. The photographic material is particularly robust and includes hundreds of photographs, slides, transparencies, and digital images of Clutz, family, friends, his painting, as well as documentation of exhibition installations. Artwork and sketchbooks in pencil, pastel, and charcoal provide a glimpse into the preliminary stages of his work process.

The papers of wood engraver Timothy Cole date from 1883-1936, and measure 0.5 linear feet. Found within the papers are letters primarily written by Timothy Cole to the editors of Century Magazine, and letters to Cole from colleagues Gifford Beal, Alice Brown, George de Forest Brush, Kenyon Cox, David Finney, Helen C. Frick, Joseph Pennell, Caroline Powell, John Singer Sargent, and Helen M. Turner. Also found are miscellaneous writings, artwork including wood engravings and printing plates, miscellaneous clippings and a photograph of Cole and his wife.

The papers of painter, etcher, printer, muralist, and art teacher Gabrielle de Veaux Clements measure 1 linear foot and date from 1860 to 1948. Found within the papers are biographical material; personal and professional correspondence, including extensive correspondence from Clements to her mother; writings, including notes and essays on art history and etching techniques; printed material; artwork; eight sketchbooks; and photographs of Clements, her family and friends, and her work.

The papers of New York painter and art critic William Anderson Coffin date from 1886-1924 and measure 1.6 linear feet. Found within the papers are scattered biographical materials and correspondence, project files for the Pan-American Exposition in Buffalo, the American Artist's Committee of One Hundred, and the exhibition of works by American Artists at the Luxembourg Museum in Paris, three additional scrapbooks, printed material, and photographs.

The papers of Maine abstract painter and interior designer Calvert Coggeshall measure 1.7 linear feet and date from 1920-1999, with the bulk of the material dating from 1965-1989. They consist of scattered biographical material, personal and business related correspondence, writings, exhibition files, design business files, printed material, and photographs of Coggeshall, his friends, and his work.

The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2020 and measure 3.4 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs. There is a 0.2 linear ft. addition to the collection donated in 2020 that includes lists of works of art, exhibition information, letters to Colker, talks and lecutres by Colker, printed material and miscellany.