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8742 records — Page 445 of 875
Belle Krasne letter to Philip Pavia
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Creators:
Ribicoff, Belle Krasne, 1924-
Dates:
1954 May 14
Size:
1 Item ((on partial microfilm reel))
Collection ID:
AAA.krasbell
Repository:
Archives of American Art

Letter to Pavia from Belle Krasne about plans for a panel discusion.

William Horace Littlefield letters and photographs to Paul Cummings
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Creators:
Cummings, Paul
Littlefield, William Horace, 1902-1969
Dates:
1951-1969
Size:
0.2 Linear feet ((on 1 microfilm reel))
Collection ID:
AAA.littwmhp
Repository:
Archives of American Art

Letters to Paul Cummings, 1964-1969; and photographs of paintings by Littlefield, 1951-1962. Letters discuss Littlefield's efforts to sell his collection of paintings by Leslie Powell, Howard Gibbs, David (Emery Abraham) Forbes, and others; Littlefield's connection with The Club, the organization of artists and writers formed by Philip Pavia in the...

It is : a magazine for abstract art
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Creators:
Second Half Pub. Co.
Dates:
1958-1965
Size:
6 Volumes (ill., 27-29 cm.)
Collection ID:
AAA.secohalf
Repository:
Archives of American Art
The Club records kept by Philip Pavia
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Creators:
Pavia, Philip, 1915-2005
Club (New York, N.Y.)
Dates:
1948-1965
Size:
64 Items ((on partial microfilm reel))
Collection ID:
AAA.paviphil
Repository:
Archives of American Art

Several notebooks kept by Pavia, recording charter and voting members, dues collected, expenses, payments, and prospective and scheduled speakers for lectures and panel discussions. Scattered throughout are addresses and telephone numbers, notes and a few sketches. Also included are ca. 30 postcard announcements for Wednesday and Friday night panel...

Michael Goldberg papers
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Creators:
Goldberg, Michael, 1924-2007
Dates:
1942-1981
Size:
1.2 Linear feet
Collection ID:
AAA.goldmich
Repository:
Archives of American Art

Biographical material, letters, business records, notes, writings, art works, an interview transcript, printed material, and photographs.

Paul Aschenbach papers
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Creators:
Aschenbach, Paul, 1921-
Dates:
1957-1976
Size:
2.1 Linear feet
Collection ID:
AAA.aschpaul
Repository:
Archives of American Art

Correspondence, notes and writings, project files, printed material, photographs, and art work primarily concerning Aschenbach's involvement with the Vermont International Sculpture Symposia (1968, 1971), and other projects he participated in, most relating to sculpture and its role in the community.

Prosper Wetmore letters
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Creators:
Wetmore, Prosper Montgomery, 1798-1876
Dates:
1834-1847
Size:
2 Items ((on 1 partial microfilm reel))
Collection ID:
AAA.wetmpros
Repository:
Archives of American Art

A March 21, 1834 letter from painter Henry Inman thanking Prosper Wetmore for influence on his behalf, reporting the election of town officers and offering to forward Wetmore's letters to the Capitol; and a December 20, 1847 letter from painter Thomas Seir Cummings to Wetmore describing the selection of new members into the New York Sketch Club at ...

Charles Roberts autograph collection
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Creators:
Roberts, Charles J.
Dates:
1773-1938
Size:
1 Microfilm reel
Collection ID:
AAA.robechar
Repository:
Archives of American Art

Letters of American artists, including Washington Allston, Albert Bierstadt, Thomas Cole, Walt Disney, Asher Durand, Horatio Greenough, Winslow Homer, Peter Hurd, Henry Inman, Thomas Sully, John Trumbull, Benjamin West and many others, with an illustrated letter from Edward Gay and correspondence of the Peale family; a handwritten manuscript by Rem...

Roberts Vaux letters
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Creators:
Vaux, Roberts, 1786-1836
Dates:
1811-1833
Size:
1 Item (partial microfilm reel)
Collection ID:
AAA.vauxrobe
Repository:
Archives of American Art

Letters to Roberts Vaux, 1811-1833, from William Dillwyn, Samuel Emlen, Joseph Delaplaine, John F. Watson, Henry Inman, and G. Gibbon, relating to paintings by Benjamin West, paintings by Sully, etc.

Henry Inman letter to James McMurtrie
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Creators:
Inman, Henry, 1801-1846
Dates:
1841 June 15
Size:
1 Item
Collection ID:
AAA.inmahejm
Repository:
Archives of American Art

Inman writes from New York to McMurtrie in Philadelphia. He discusses the pricing for one of his works (which he refers to as "the retouched Bishop"), and mentions a full-length portrait of Benjamin West.

8742 records — Page 445 of 875