The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

The papers of painter Howard Kanovitz measure 11.5 linear feet and 1 GB and date from the mid-1950s through Kanovitz's death in 2009, with the bulk from 1966 to 1990. The collection documents Kanovitz's work as a professional artist through biographical material, personal and professional correspondence, writings, interviews, personal business reco...

The records of the Thomas Lewallen Gallery measure 1.0 linear feet and date from 1970 to 1980. The records catalog the history of the gallery through artist and exhibition files; correspondence, receipts, ledgers, and other business records; clippings, exhibition announcements, and other printed material; and photographs, slides, and negatives of exhibitions and artwork.

The records of the Washington Gallery of Modern Art measure 15.7 linear feet and 0.523 GB and date from 1959 to 1992. The records document the history of the gallery through Board of Directors meeting minutes, various committee meetings minutes and agendas, bylaws, and other trustee records; correspondence and other materials associated with each of the four gallery directors over the course of the gallery's existence; general correspondence; exhibition files, proposed exhibitions, collection files, and other curatorial and registrar records; financial records; development and membership records; tour guide information, gift shop finances and orders, and other museum services; and clippings, catalogs, and other printed and digital material.

The papers of multimedia sculptor, curator, and instructor David Weinrib measure 4.6 linear feet and date from circa 1950-2015. The collection documents Weinrib's life and career through a small amount of biographical material, project files, and printed and photographic material. Project files make up the bulk of the collection and document Weinrib's teaching at Black Mountain College, his curation of the Pratt Sculpture Park, and an extensive project that he undertook with his second wife, JoAnn Weinrib, in 1998 titled "Sculptors in Their Environments." This project file includes photographic documentation of numerous artists working in their studios including Vito Acconci, Louise Bourgeois, Petah Coyne, Mary Frank, Judy Pfaff, Ursula von Rydingsvard, and many others.

The papers of New York art critic and writer David Bourdon measure 37 linear feet and date from 1941-1998. The papers include scattered biographical materials, manuscript and published writings, extensive art and artists' research files, and printed materials.

The papers of art historian and critic Michèle Cone measure 6.0 linear feet and date from circa 1970 to 2020, with the bulk from 1980-2010. The collection documents Cone's work as a professional critic, educator, and scholar through biographical material, personal and professional correspondence, writings, recorded interviews, research files, proje...

The Robert E. Duffy papers related to Barbara Latham and Howard Cook measure 0.2 linear feet and date from circa 1977-1985. Included are letters from Barbara Latham to Robert E. Duffy (1982- 1985 and undated) and a letter to Dorothy Duffy from Howard Cook, 1977; material relating to Howard Cook for the Bethesda Art Gallery including a letter from t...

An interview with Joe Feddersen conducted 2021 April 29 and 2021 May 6, by Cecile Ganteaume for the Archives of American Art, at Feddersen's home in Omak, Washington.

Interviews of Wally Bill Hedrick conducted 1974 June 10-24, by Paul Karlstrom, for the Archives of American Art.