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Creators:
Valentine Gallery (New York, N.Y.)
Dates:
circa 1890-circa 1960
Size:
1.8 Linear feet
Collection ID:
AAA.valegall
Repository:
Archives of American Art

The records of the New York City based Valentine Gallery measure 1.8 linear feet and date from circa 1890 to 1960. The bulk of the material documents the gallery's dealings with artists Louis Eilshemius, John Kane, Henri Matisse, and C.S. Price. Additionally, there is one scrapbook which contains printed materials regarding Valentine Gallery exhibitions from 1925-1936.

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Creators:
Roberts, Colette, 1910-
Dates:
1918-1971
Size:
10.2 Linear feet
Collection ID:
AAA.robecoli
Repository:
Archives of American Art

The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.

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Creators:
Louis K. Meisel Gallery
Dates:
1964-2003
Size:
0.4 Linear feet
Collection ID:
AAA.louikmei
Repository:
Archives of American Art

The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.

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Creators:
Eddy, Don, 1944-
Dates:
1966-2009
Size:
7.2 Linear feet
Collection ID:
AAA.eddydon
Repository:
Archives of American Art

The Don Eddy and Leigh Behnke papers, 1966-2009, measure 7.2 linear feet. Photographic materials, printed material, and writings document the realist painters' work, working methods, and exhibitions. Also found are subject files, some professional correspondence and personal photographs.

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Creators:
Schreckengost, Viktor, 1906-
Dates:
1933-1995
Size:
0.7 Linear feet
Collection ID:
AAA.schrvikt
Repository:
Archives of American Art

The scattered papers of industrial designer Viktor Schreckengost measure 0.7 linear feet and date from 1933 to 1995. Largely, this selection of papers deals with Schreckengost's dinnerware design career, specifically with the American Limoges pottery firm of Sebring, Ohio. Found is correspondence with the American Limoges China Company and the Crockery and Glass Journal; printed materials featuring his designs; a photo of Schreckengost and his ceramics; sketches and large-scale renderings of dinnerware; and three VHS videocassettes. One videocassette dates from 1993 and contains an interview of Viktor and Don Schreckengost, a 1994 videocassette concerns the history of Schreckengost's art, and a third tape contains a slide show.

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Creators:
Schmidt, Katherine, 1898-1978
Dates:
circa 1921-1971
Size:
0.2 Linear feet
Collection ID:
AAA.schmkath
Repository:
Archives of American Art

The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party.

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Creators:
Schaefer, Bertha, 1895-1971
Dates:
1909-1975
bulk 1940-1965
Size:
4.6 Linear feet
Collection ID:
AAA.schabert
Repository:
Archives of American Art

The Bertha Schaefer papers and gallery records measure 4.6 linear feet and date from 1909-1975, with the bulk of the material dating from 1940-1965. The collection documents the Bertha Schaefer Gallery as well as Bertha Schaefer, the interior designer, through correspondence with artists and galleries, artist files, client files, exhibition material, printed material, financial material, biographical material, photographs, and six scrapbooks.

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Creators:
Vargas, Kathy
Dates:
circa 1965-2016
Size:
10.8 Linear feet
Collection ID:
AAA.vargkath
Repository:
Archives of American Art

The papers of San Antonio-based educator and photographer Kathy Vargas measure 10.8 linear feet and date from circa 1965-2016. Vargas's career is documented through biographical material, correspondence, writings and notes, project and exhibition files, professional files, and printed material.

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Creators:
Brookman, Philip
Dates:
1977-1993
Size:
3.5 Linear feet
Collection ID:
AAA.broophil
Repository:
Archives of American Art

The papers of curator Philip Brookman measure 3.5 linear feet and date from 1977 to 1993. The collection documents Brookman's exhibition, writing, and filmmaking projects in the form of artist files, exhibition files, professional files, and subject and research files. Much of the material concerns the production and distribution of Brookman's 1988 video documentary about Chicano art in California, Mi Otro Yo (My Other Self), that grew out of the exhibition and conference "Califas: An Exhibition of Chicano Art and Culture in California," held at University of California, Santa Cruz in 1981 and 1982.

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Creators:
Pearmain, William Robert, 1888-1912
Dates:
1888-1955
Size:
0.4 Linear feet
Collection ID:
AAA.pearwill
Repository:
Archives of American Art

The papers of painter and activist William Robert Pearmain (1888-1912) and the Pearmain family measure 0.4 linear feet and date from 1888-1955. Papers are found for William Robert Pearmain, his wife Nancy Douglas Brush (later Bowditch), their daughter Mary "Polly" Pearmain, and other members of the Pearmain family. There are biographical materials; family correspondence; a watercolor; a travel diary and school essays by Pearmain; printed materials, including clippings and two publications by the Industrial Workers of the World; and photographs of the Pearmain family and artwork.