The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.2 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.
The papers of New York City painter and printmaker Dotty Attie measure 2.3 linear feet and date from circa 1950s to 2014. Her papers include scattered biographical material, professional files, notes, personal business records, photographs, artwork, and 12 sketchbooks.
The records of the Associated American Artists measure 55 linear feet and date from circa 1934 through 1983. The organization was founded in 1934 to stimulate interest in prints throughout the United States by promoting the sale of prints through department stores and other venues. Later, other genres of works of art were added and the department store abandoned in favor of a New York headquarters. The records contain voluminous files on artists; dealers, galleries, and museums; and clients. Also found is business correspondence, financial records, sales and exhibition catalogs, thirteen dismantled scrapbooks, and posters.
The papers of art dealer R. Kirk Askew, director of the New York branch of the Durlacher Bros. art firm, measure 0.6 linear feet and date from 1942 to 1958. The collection includes correspondence with artists Cady Wells, Walter Stuempfig, Walter Quirt, Edward Melcarth, Kurt Seligmann, Leonid Berman, Hyman Bloom, Peter Blume, Carlyle Brown, James W. Fosburgh, Stephen Greene, and Walter Stein.
The records of the Artist Tenants Association measure 1.0 linear feet and date from 1959 to 1978. They document the Association's efforts to alter New York City building codes to permit artists to live in lofts, initiating the development of SoHo as an art center. Records include business correspondence, founding documents, memoranda and press releases, member lists, financial records, clippings, and a scrapbook of clippings pertaining to the organization.
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 43.9 terabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City from 1975 to 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
The papers of Florence Arquin measure 8.3 linear feet and date from 1923 to 1985. The papers document Arquin's career as a painter, photographer, educator, writer, and critic through biographical material, correspondence, writings, teaching and project files, printed material, photographs, artwork, and scrapbooks. Additionally, the papers relate to her personal relationships with her husband Samuel Williams and friends, Diego Rivera and Frida Kahlo. Teaching and project files include material from Arquin's work with the Federal Art Project at the Art Institute of Chicago and as director of the U.S. State Department's Kodachrome Slide Project, which was part of an effort to provide educational agencies with visual aids to support Latin American Studies.
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.
The East Village Area X Gallery records measure 2.4 linear feet and date from 1977-1988. The collection consists primarily of artists files for fifteen artists represented by or of interest to the gallery. The files are varied but may include biographical information, correspondence, financial and inventory records, printed materials, and photographs. Gallery records include scattered financial records, publicity files, and printed materials.
The records of the Area Gallery measure 1.1 linear feet and date from 1958-1977 (bulk dates 1959-1964). Area Gallery was one of the Tenth Street Co-ops in New York City, and operated from 1958-1965. Materials in this collection include artist bios, price lists, black and white photos of artwork; financial records with annotations; member lists, exhibition lists, and daily notes; gallery sign-in sheets; correspondence, including letters to and from the gallery and regarding rent issues; and an extensive scrapbook containing exhibition posters, photos of artwork, announcements, exhibition reviews, and clippings.