The papers of abstract kinetic artist and sculptor Alexander Calder measure 2.5 linear feet and date from 1926 to 1967. Found within the papers are scattered biographical materials, correspondence, printed materials, photographs, scattered prints and sketches by Calder, and a scrapbook. Of particular interest are the numerous photographs of Calder, including many of Calder at work in his studios, with his family at their home in Touraine, France, exhibitions, and artwork. Among the photographs are several taken by photographer and artist Herbert Matter and a photograph of Pierre Matisse at Calder's home.
The papers of Italian-American painter, engraver, and printmaker Letterio Calapai measure 3.4 linear feet and date from 1858 through 1993 (bulk 1920s-1993). Found are correspondence, teaching and project files, writings and notes, printed materials, photographs, and sketchbooks, including one with scenes of Rockwell Kent's dairy farm in upstate New York.
The scattered papers of art critic and writer Charles Henry Caffin measure 1.2 linear feet and date from circa 1883-1973, bulk circa 1883-1918. Found within the papers are an interview transcript, two letters, printed materials, one scrapbook, and family photographs dating from circa 1883 to circa 1911, many by noted photographers Arnold Genthe, Frances Benjamin Johnston, Gertrude Käsebier, Edward Steichen, and Alfred Stieglitz. The scrapbook contains Caffin's columns for the New York American, 1913-1915.
The letters of Paul Cadmus to Webster Aitken measure 0.1 linear feet and date from 1945-1979. Found within the collection are letters, notes, and postcards from Cadmus to Aitken regarding music, composers, musicians, mutual friends, Cadmus's sister and brother-in-law Mr. and Mrs. Lincoln Kirstein, travels, and Cadmus's work, art processes, and personal reflections on life events.
The writings of American writer William S. Burroughs and British writer Brion Gysin measure 0.4 linear feet and date from 1963 to 1973, and 1997. This collection includes three books of writings by Burroughs and Gysin and one folder of letters from artist David Bradshaw to art collectors Stanley and Elyse Grinstein about William Burroughs.
The papers of painter, muralist, and designer William E. L. Bunn measure 12.9 linear feet and date from 1863-2009. The collection documents Bunn's career as a painter, industrial designer, and his work on Treasury Department post office mural commissions through biographical material, scattered correspondence, project files, industrial design records, diaries and journals, writings and notes, printed material, photographs, and artwork. Also found are Bunn's papers regarding Grant Wood.
The Dennis Miller Bunker collection of letters, an exhibition catalog, and photographs measures 0.4 linear feet and dates from 1882 to 1943, with the bulk of the material dating from 1882 to 1890. Most of the collection consists of letters to Bunker's friend Joseph Evans (46 letters) in New York City, written between 1882-1889. Four volumes of letterpress books, circa 1889-1890, contain letters to Bunker's fiancée Eleanor Hardy prior to their marriage in the fall of 1890, and his untimely death a few months later. There are also a 1943 exhibition catalog and three photographs of Bunker.
The Buehr family papers date from 1880-1984 and measure 0.9 linear feet. The collection documents the lives and careers of a prominent Chicago family of artists, which included Karl Albert Buehr, his wife Mary Hess Buehr, their children Kathleen Buehr Granger and George F. Buehr, and Karl Buehr's brother-in-law, Will Hess. Found among the papers are biographical accounts, family histories, Karl Buehr's personal and professional correspondence, love letters between Karl and Mary Hess, writing by various family members, printed materials, artwork in the form of drawings by Kathleen Buehr Granger, and family and travel photographs, including two photo albums.
The papers of painter, printmaker, and illustrator Bernarda Bryson Shahn measure 14.6 linear feet and date from 1872 to 2004, with the bulk of the materials dating from 1904-2004. Found within the papers are family and biographical materials, correspondence, writings including sound recordings of lectures by the Shahns, voluminous notebooks, five diaries, exhibition files, personal business records, printed material, seven scrapbooks, one sketchbook and other art work, and photographs. Although the bulk of the collection documents Bernarda's work, there are materials about or created by Ben Shahn scattered throughout the collection. There is a 2.7 linear foot unprocessed addition to this collection donated 2011 that includes administrative files regarding Bernarda Shahn's work on the board of Skowhegan correspondence of both Bernarda and Ben Shahn; an inventory ledger with names of works of art by Ben Shahn; a scrapbook regarding Ben Shan's work in Japan; photographs of Ben and Bernarda Shahn and images of works of art by Ben Shahn; sketchbooks and notebooks by Ben and Bernarda Shahn; and printed material.
Thomas B. Brumbaugh's research material on Abbott Handerson Thayer and other artists dates from 1876 to 1994 (bulk 1960s-1994) and measures 1.4 linear feet. Brumbaugh, an art historian and educator, wrote several articles on Thayer, and these papers contain related correspondence, photocopies and transcripts of Abbott Handerson Thayer's correspondence, research files, and photographs. Also found are Brumbaugh's research files on various artists compiled during his career.