The papers of sculptor and portrait painter Henry Kirke Brown measure 0.8 linear feet and date from 1836 to 1893. The collection includes Brown's correspondence with his wife, Lydia Louise Udall, his nephew, Henry Kirke Bush-Brown, and other family members. Also included are letters from artists George Catlin, George Fuller, Sanford R. Gifford, James Reid Lambdin, Louis Lang, Erastus Dow Palmer, Hiram Powers, Horatio Stone, and others; five news clippings; and miscellaneous notes.
The papers of lithographer, educator, and author Bolton Coit Brown measure 1.7 linear feet and date from 1882 to 1987 with the bulk of the material dating from 1882 to 1936. Found within the papers are biographical material; extensive personal correspondence with family members and friends; writings, including drafts of Art of Art Study and Lithography Since Whistler; and printed material.
The papers of technical artist, fabricator, and conservator Jack Brogan measure 2.7 linear feet and date from 1968 to 2016 with the bulk of the collection dating from 1971 to 2009. The collection documents Brogan's collaboration with many artists associated with Southern California Light and Space art to help realize their ideas. Papers include biographical material, project files, printed material, photographic material, and artwork.
The papers of painter and writer James Britton measure 2.9 linear feet and date from circa 1905-1984, with the bulk of the material dating from circa 1905-1935. The bulk of the papers consist of 49 diaries dating from 1918-1935, plus notebooks of diary excerpts, that chronicle Britton's daily activities and include lists, illustrations, and drafts of correspondence. Additional papers include biographical information compiled by the Britton family; scattered business and financial records; correspondence, including copies of Britton's letters to the editors of the Hartford Courant and the Hartford Times; additional writings and notes that include drafts and manuscripts of an autobiography, drafts of articles for his publication Art Opus, and other writings; sketches and a woodcut print; printed materials, including clippings of his published writings for Art Review International, Book Notes, and Opus; and one photograph of Britton and of works of art.
The papers of painter Ernest Briggs measure 2.4 linear feet and date from circa 1900-2013, bulk 1940-1983. The collection documents the life and career of this second generation abstract expressionist through biographical material; correspondence with artists and critics; writings and five diaries that chronicle the changing art world from 1950s-1970s; personal business records; printed material; and a significant amount of photographic material documenting the artist and his work.
The papers of painter, writer and educator Berta N. Briggs measure 1.3 linear feet and date from 1908-1976. Found within the papers are biographical material, scattered letters primarily discussing her activities with various arts organizations, notes and writings, artwork including sketchbooks and drawings, scrapbooks, printed material, and photographs primarily of her artwork.
The papers of New York art dealer and consultant Stephan Bourgeois measure 4.2 linear feet and date from 1908 to circa 1964. The papers include biographical material, correspondence, writings, personal business records and printed material.
The papers of painter and muralist Louis Bouché measure 5.9 linear feet and date from 1880 to 2007. Found within the papers are biographical material; personal correspondence, including correspondence from the extended Bouché family; writings; financial records; printed material; four scrapbooks; artwork; and photographs of Bouché, his family and friends, and his work.
This collection consists of three scrapbooks dating from 1903 to 1955 containing mostly newspaper clippings which document the career of California artist Carl Oscar Borg, particularly his work as art director for Hollywood films.
The collection measures 0.2 linear feet, dates from 1932 to 1981 (bulk dates 1932-1963), and primarily documents the friendship of painter Paul Bodin with abstract expressionist painter Adolph Gottlieb. Found within the papers are letters from Gottlieb; printed material; and photographs of Bodin's art work.