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Creators:
McWillie, Judith
Dates:
circa 1984-1986
Size:
0.4 Linear Feet
Collection ID:
AAA.mcwijudi
Repository:
Archives of American Art

The videos and slides on African American folk artists Dilmus Hall, Mary T. Smith, and J.B. Murry measure 0.4 linear feet and date from circa 1984 to 1986. The collection includes recorded interviews conducted by art historian Judith McWillie with the artists about their lives and work, and color slides of Dilmus Hall and Mary T. Smith with their work.

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Creators:
McGrath, James A.
Dates:
1950-2011
Size:
5.3 Linear Feet
Collection ID:
AAA.mcgrjame
Repository:
Archives of American Art

The papers of arts educator James A. McGrath measure 5.3 linear feet and date from 1950-2011. Included are McGrath's papers concerning his artist's residencies and workshops for the United States Information Agency (USIA) in the Yemen Republic, Saudi Arabia, and the Republic of the Congo, 1990-1995. Also found are McGrath's papers concerning artist William Wiley. These papers date from Wiley's high school days and includes correspondence, writings, student files, printed materials, photographs, and artwork.

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Creators:
McCrindle, Joseph F.
Dates:
1877-2013
Size:
5.3 Linear Feet
Collection ID:
AAA.mccrjose
Repository:
Archives of American Art

The papers of New York art collector and philanthropist, Joseph F. McCrindle, measure 5.3 linear feet and date from 1877-2013. The collection documents McCrindle's art collecting, art donations, philanthropy, family affairs, and personal estate. Found are extensive art inventories, sales receipts, gift and loan documentation, and photographs of artwork. The papers also include Joseph McCrindle's estate records and wills, family papers, records from the Joseph F. McCrindle Foundation, correspondence with museums and galleries, and photographs of McCrindle and family members.

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Creators:
Martino, Giovanni, 1908-1998
Dates:
1913-2013
Size:
2.5 Linear Feet
Collection ID:
AAA.martgiov
Repository:
Archives of American Art

The papers of Giovanni Martino and Martino family measure 2.5 linear feet and date from 1913 to 2013. Giovanni Martino's career as a painter, and to a lesser extent, his work with his brothers at Martino Studios, is documented though biographical material, correspondence, printed material, photographs, artwork, and one scrapbook. Also found are papers documenting the painting careers of his wife, Eva, and daughters, Nina and Babette.

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Creators:
Ludman, Joan
Dates:
circa 1910-2003
bulk 1976-2001
Size:
4.2 Linear Feet
Collection ID:
AAA.ludmjoan
Repository:
Archives of American Art

The Joan Ludman papers relating to Fairfield Porter measure 4.2 linear feet and are dated circa 1910-2003, bulk 1976-2001. The papers primarily document her research for Fairfield Porter: A Catalogue Raisonné of his Prints (1981) and Fairfield Porter: A Catalogue Raisonné of the Paintings, Watercolors, and Pastels (2001). There are records concerning "Prints by Fairfield Porter from the Lauris and Daniel J. Mason Collection," a traveling exhibition organized by Ludman. Also found are Ludman's records concerning her authentications of Porter's artwork, and general printed material about Porter. Photographs are of Porter and his work. A 2015 addition includes provenance forms sent to Ludman from artwork owners.

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Creators:
Lovet-Lorski, Boris, 1894-1973
Dates:
1945-1966
Size:
0.4 Linear Feet
Collection ID:
AAA.lovebori
Repository:
Archives of American Art

The journals of New York City sculptor and graphic artist, Boris Lovet-Lorski, measure 0.4 feet and a date from 1945-1966. The volumes consist of ten appointment diaries, which document aspects of Lovet-Lorski's daily life, such as medical appointments, dates with friends and other typical activities. The journals do not cover the entire period of 1945-1966 but are a random selection of annual volumes from this period.

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Creators:
Los Angeles Independent Film Oasis
Dates:
1976-1981
Size:
1.1 Linear Feet
Collection ID:
AAA.losangei
Repository:
Archives of American Art

The scattered records of the Los Angeles Independent Film Oasis date from 1976 to 1981 and measure 1.1 linear feet. Founded in 1975, the organization offered a venue for avant-garde and experimental film as well as special merit documentaries. The records consist of scattered business and administrative records, including member information, the constitution, and by-laws; one folder of correspondence; various notes; printed materials; and a large number of files on filmmakers.

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Creators:
Los Angeles Art Association
Dates:
1922-1990
Size:
12.6 Linear Feet
Collection ID:
AAA.losangea
Repository:
Archives of American Art

The Los Angeles Art Association records measure 12.6 linear feet and date from 1922-1990. Almost a third of the collection consists of artists' files containing a wide variety of materials documenting the association's relationship with numerous California and international artists. Also found are ten scrapbooks documenting exhibitions and events over the course of 50 years, administrative files, correspondence, subject files, exhibition files, financial and legal records, printed material, and photographic material depicting artists, events, and artwork. Scattered files of Executive Director Helen Wurdemann's are also found throughout the collection.

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Creators:
Linda Farris Gallery
Farris, Linda
Dates:
1969-1995
Size:
13.4 Linear Feet (13 Boxes, 1 sol, 1 ov folder)
Collection ID:
AAA.lindfarr
Repository:
Archives of American Art

The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.

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Creators:
Leeds, Harold E., 1913-2002
Dates:
1940s-circa 2002
Size:
0.8 Linear Feet
Collection ID:
AAA.leedharo
Repository:
Archives of American Art

The papers of architect Harold E. Leeds measure 0.8 linear feet and date from 1940s-circa 2002. The letters found here are primarily from painter Loren MacIver writing from France, during which time Leeds looked after the home belonging to MacIver and her husband, poet Lloyd Frankenberg. While mainly logistical in nature, MacIver does describe aspects of her daily life in France, and her and Frankenberg's friendships with prominent figures including Margaret Barr, Elizabeth Bishop, Pierre Matisse, and James Johnson Sweeney. The photographs in the collection document Leeds' life with partner and documentary filmmaker Wheaton Galentine, and Leeds' work as an architect and interior design professor at Pratt Institute.