This collection, which dates from 1949-1970, contains approximately 2513 color 35mm slides depicting the people, environment and cultures of more than 30 African countries. Images include landscapes, agriculture and marketplace scenes. Countries represented include Algeria, Angola, Benin, Burundi, Rwanda, Cameroon, the Central African Republic, Egypt, Ethiopia, Gabon, Ghana, Kenya, Lesotho, Liberia, Libya, Madagascar, Malawi, Mali, Mauritius, Morocco, Nigeria, Senegal, Sierra Leone, South Africa, Sudan, Swaziland, Tanzania, Uganda, the Democratic Republic of the Congo (Zaire), Cote d'Ivoire and Zambia. Also included in this collection are 117 postcards from West and Central Africa and approximately 17 maps of and 10 guide books for East and West Africa. A small amount of miscellaneous ephemera rounds out the collection.
This collection is comprised of a 1979 photograph by Tam Fiofori of Oba Erediauwa's Coronation in Nigeria.
The collection dates from 1678 to circa 2005 and consists of 58 maps, engravings, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa.
This collection is comprised of 769 35mm color slides, dates from 1982 to 1986 and documents various Agemo festivals, a performing art of the Yoruba religion. More specifically, Pemberton photographed Agemo funeral rites at the Asu Aluwa house in Olosiwonade, Ijebu, various Agemo priests and their stools, the Odun Agemo festival, Chief Sherafusi's Odun Agemo festival in Igbile, and Egungun dancing at the palace in Oru, Ijebu.
The collection includes 1,429 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.
Series 1 is comprised of photos taken by Dr. Henry Drewal while traveling in Morocco from May 29, 1997 to June 21, 1997. The series includes images taken in Casablanca, Rabat, Salé, Fès al Bali, Meknès, Sijilmassa, Rissani, Marrakech, and Essaouira. Subjects include architecture, market scenes, craftsmen and artisans at work, musicians, landscapes ...
Photographs taken during a research trip to Mali in 1989 to study the art and architecture of the Dogon and Bamana peoples. Accompanying Dr. Ravenhill was Stanley Staniski from Media Resources. Their work resulted in the video production entitled, Togu na and Cheko: Change and Continuity in the Art of Mali, for the National Museum of African Art.
Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.
The majority of the photographs were taken by Constance Stuart Larrabee during her career as a photographer in South Africa, 1941-1945. The images document the peoples of South Africa in Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal province (including an Anglican Mission school, the town of Ixopo, and the south coast), Soweto, Swaziland, Transkei, eastern Transvaal, the Umzimkulu Valley and Zululand.
Photographs taken by Christopher DeCorse during his travels in Ghana, Gambia, Senegal, Mali and Cote d'Ivoire.