273 records — Page 2 of 28
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Creators:
Hukill, Mark A.
Dates:
mid-1900s
Size:
6 slides (photographs) (color)
Collection ID:
EEPA.1982-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Mark A. Hukill of the Palais de Congres in Niamey, Niger.

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Dates:
1887-1986
Size:
2 Photographic prints (color)
6,859 Postcards (color, 10 x 15 cm. or smaller)
Collection ID:
EEPA.2001-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Picture postcards collected by Stephen Grant, Education Official, U.S. Agency for International Development (USAID), while serving in Africa.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Geary, Christraud M.
Dates:
1969-1984
Size:
3,808 Slides ((16 v.), color)
Collection ID:
EEPA.1993-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Christraud M. Geary during five research trips to Cameroon in 1969, 1970-71, 1977, 1978 and 1983-84.

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Creators:
Geary, Christraud M.
Dates:
1998
Size:
363 slides (photographs) (1 binder, color, 35 mm.)
Collection ID:
EEPA.1999-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Christraud M. Geary during a research trip to Mali and Senegal in 1998.

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Creators:
Ashworth, Gavin
Dates:
1987
Size:
2040 slides (photographs) (+catalog (4 v.), color)
1 video recording ((12:25 min.) (VHS) , sound, color)
Collection ID:
EEPA.1991-005
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Gavin Ashworth during the summer of 1987 in several villages in Mali and Cote d'Ivoire. The images detail all phases of strip weaving, from the spinning of yarn to the assemblage of the individual strips into large pieces. The still photographs were used in the video which was entitled, Patterns of Life: West-African Strip Weaving Traditions, produced by Caribiner, Inc. for the National Museum of African Art, Smithsonian Institution, 1987. Text accompanying videos for sale reads, "In many areas of West Africa, fabric is woven in long narrow strips. The strips are cut to length and then sewn together to make rectangular cloths with striking geometric patterns. These beautiful cloths are worn as wrappers, shawls, and robes. Originally a slide presentation for an exhibition, the Art of West African Strip-Woven Cloth explores the creative activities of the various artisans involved in textile production: spinners, dyers, weavers, and sewers."

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Creators:
MacGaffey, Wyatt
Dates:
1980
Size:
103 negatives (photographic) (black & white, 35 mm.)
93 prints (visual works) (black & white, 8 x 10 in. or smaller)
75 slides (photographs) (color)
Collection ID:
EEPA.2003-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs by Wyatt MacGaffey, a prominent anthropologist with a lifelong scholarly interest in the Congo, taken during a survey on Belgian colonial architecture for a research project in Kisangani (formerly Stanleyville) in 1980. His images of the often dilapidated buildings range from colonial mansions to views of African housing. Other photographs show small private homes and businesses as well as a mosque under construction by the Saudis and several churches. There are also many street scenes, images of the university and the Congo River. A series of five slides shows popular paintings (such as La Colonie Belge). The value of his images is enhanced by his notes, which record subjects and locations.

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Creators:
Ravenhill, Philip L.
Dates:
1989
Size:
2 Volumes (slides , color)
1 Boxe (dupe slides, color)
Collection ID:
EEPA.1989-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken during a research trip to Mali in 1989 to study the art and architecture of the Dogon and Bamana peoples. Accompanying Dr. Ravenhill was Stanley Staniski from Media Resources. Their work resulted in the video production entitled, Togu na and Cheko: Change and Continuity in the Art of Mali, for the National Museum of African Art.

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Creators:
Harris, Nancy H.
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 negatives (photographic) (black & white, 8 x 10.5 cm.)
308 lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

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Creators:
Emily Dean
Edwin R. Dean
Dates:
1965-1967
Size:
117 slides (photographs) (color)
Collection ID:
EEPA.2002-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Slides taken in Nigeria, 1965-67, a few years after independence and at the eve of the Biafra War by Edwin R. and Emily Dean. Emily Dean took most of the photographs. She taught at the St. Louis Secondary School. The images are typical for the time period (note that some of them are half frame images, taken with a type of camera heavily promoted in the 1960s). Geographic locations reflect the Deans' experiences and travel: the University of Ibadan Campus, the Jos Museum, Bida , Zaria, Kano, Lagos, and Abeokuta. Of particular interest is a series of Adire production in Abeokuta, the old palace at Idanre and the Timi of Ede's Shango shrine.

273 records — Page 2 of 28